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Michael Bisio: In His Own Words
by Mark Corroto
If you happen to be a liner note geek you probably have noticed the name Michael Bisio mentioned frequently on album sleeves. Whether the author is the session leader or analyst, the general consensus is the bassist is the cornerstone upon which great music is built. His playing allows a fellow musician to access not only ...
Matthew Shipp: Poetic Connection
by Seton Hawkins
It is difficult to describe the impact of pianist and composer Matthew Shipp without descending into hyperbole. A core figure in the now-legendary David S. Ware Quartet, a bandleader with a staggering recording output, a groundbreaking curator for the influential Blues Series of Thirsty Ear Records, Matthew Shipp has also more recently broken new ...
Ahn-definable: the Eclectic Artistry of the Ahn Trio
by Ludovico Granvassu
An eclectic trio whose restless musical curiosity is second only to their virtuosity, the Ahn Trio revel in breaking the rigid boundaries of the classical world. The Juilliard-trained sisters (Lucia, piano; Angella, violin; Maria, cello) have a rock-star attitude matched by a compelling sound that is immediately recognizable no matter whether they are interpreting the music ...
William Hooker: Light The Early Years 1975-1989
by Mark Corroto
The good news is that record executives are no longer the gatekeepers of taste and style in music today. Inexpensive recording equipment and the advent of digital music allow the artist, and the audience to cast a wide net these days. This wasn't the case forty years ago, especially for the improvised jazz scene. Studio time ...
Pauline Oliveros: Accordion & Voice
by Karl Ackermann
It's understandable if Pauline Oliveros is not a top-of-mind name, even after more than five decades in music. The eighty-two year old composer has been far-removed from the mainstream as a pioneer in the subculture of experimental electronic music and composition since the 1960s and her acoustic instrument of choice is the accordion. Yet her résumé ...
Matthew Shipp Solo – The Piano Sutras Project
Thursday, January 30, 2014 @ 8:00 pm One of the most distinctive and radically experimental voices in jazz, pianist, composer, and bandleader Matthew Shipp presents an intimate solo recital culled from the stunning masterpieces from his acclaimed 2013 solo album, Piano Sutras, released on Thirsty Ear. Starting with the bold compositions from Sutras, which has been ...
Bang on a Can All-Stars Announce Ken Thomson as New Clarinetist
Bang on a Can, New York’s innovative and energetic champion of new music, officially announced the new clarinetist for its “All-Star” lineup. The Bang on a Can All-Stars have become a singular vehicle for visionary composition over the course of the last 20 years, and with the addition of Ken Thomson will continue to set the ...
Black Music Disaster: Black Music Disaster
by Troy Collins
The intriguingly titled Black Music Disaster is part of Thirsty Ear's Blue Series, which for over a decade has documented numerous cross-stylistic collaborations between artists from different genres. This live concert recording, taped in February 2010 at London's Cafe Oto, features a virtual indie summit meeting, presenting renowned avant-garde jazz pianist Matthew Shipp playing Farfisa organ, ...
Bang on a Can Celebrates 25 Years with Triple Bill Concert at Lincoln Center
Bang on a Can takes over Alice Tully Hall presented by Lincoln Center’s Great Performers series in a triple-bill birthday bash on Saturday, April 28 at 7pm featuring the Bang on a Can All-Stars, Asphalt Orchestra, and MIT’s Gamelan Galak Tika. Bang on a Can is celebrating 25 years during 2012, having grown from a one-day ...
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