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Spirit: La famiglia scende in campo
by Maurizio Comandini
Randy California, nato nel 1951 a Los Angeles come Randy Craig Wolfe, iniziò a suonare la chitarra giovanissimo, aiutato dalla madre, una musicista folk, che gli insegnò le prime posizioni sulla tastiera. La madre Bernice era sorella di Ed Pearl, proprietario del locale Ash Grove e il giovane Randy si ritrovò a vivere in prima persona ...
A Different Drummer, Pt. 8: Ustad Zakir Hussain Talks Tabla
by Karl Ackermann
Origins of the Tabla The twin hand drum was developed in its current form about 300 years ago on the Indian subcontinent but the roots of the tabla may date to pre-Muslim, Arabia. The name comes from “tabl," the Arabic word for drum, and temple carvings of tabla-like double-hand drums date to 500 BCE. Tabla is ...
A Different Drummer, Pt. 7: Rudy Royston’s Higher Calling
by Karl Ackermann
A look at Rudy Royston's resume tells you that the drummer should be more recognized. Royston has racked up credits with Nate Wooley, Jon Irabagon, Tom Harrell, Aruán Ortiz, Rudresh Mahanthappa, Bill Frisell, JD Allen, Dr. Lonnie Smith, Ron Miles, Noah Preminger, Ben Allison, Tim Ries, Alex Sipiagin, Linda May Han Oh, Bruce Barth, Don Byron, ...
Charu Suri: The Jazz Raga
by Karl Ackermann
The Roots of Indo-JazzJazz and Indian ragas share common ground in their traditional use of improvisation. They are often talked about in compatible terms, but Ravi Shankar, for one, did not believe that ragas could be compared to jazz improvisation. Spontaneous creation in jazz differs from the complex rhythmic structural patterns of Indian improvisation. Shankar became ...
Patto, Una Mirabolante Avventura Senza Rete.
by Maurizio Comandini
Siamo alla fine degli anni sessanta, Mike Patto è un ragazzone inglese con una bella voce potente e ruvida, la musica lo affascina e capisce subito che non c'è miglior momento per iniziare una avventura esistenziale che profuma di rock e di jazz, senza dimenticare la vena blues di fondo che un giovane cantante incazzato non ...
A Different Drummer, Pt. 6: Iberian Beats – Jorge Rossy & Pedro Melo Alves
by Karl Ackermann
The music of the Iberian Peninsula is as rich and diverse as any in the world. Its influences are many yet it developed in the pre-global bubble of geography. Early music of the peninsula was impacted by much of the known world in the primeval period and the Middle Ages. The peninsula was isolated by the ...
Ill Considered - Reconsidered
by Karl Ackermann
London Calling, AgainAround 2010, the South London jazz scene began breaking with tradition for an alternative union of music rooted in global cultures. It represented a fundamental change in the way young Londoners related to music; the rhythms were infused with hip hop, spiritual jazz, dubstep, funk, groove, reggae, and future soul in various combinations. In ...
A Different Drummer, Part 5: Terri Lyne Carrington
by Karl Ackermann
In her 2003 Carnegie Mellon University paper Experience West African Drumming: A Study of West African Dance-Drumming and Women Drummers, Leslie Marie Mullins explains that drumming was explicitly the territory of male musicians in West Africa. Mullins reveals that several myths were employed to keep women and drums far apart. Among them, Ghanaian women were thought ...
A Different Drummer, Part 4: The Zildjian Legacy
by Karl Ackermann
They are the oldest family-owned business in the world, recognized globally by musicians from every genre. The Avedis Zildjian Company—known simply as Zildjian —traces its history to the ancient cymbals of the Middle East and Asia. Almost four hundred years ago, Avedis, an Armenian metalsmith and alchemist in seventeenth-century Istanbul, discovered an alloy of tin, copper, ...
A Different Drummer, Part 3: Pino Basile & Mizuki Wildenhahn
by Karl Ackermann
The Swish Knocker, And More Early on in his career, the late Milford Graves abandoned the snare drum, substituting the resonance of the toms for the snare parts. He believed music of the drum reverberated from within the drummer and the listener without the need for extraneous instrumentation. Tyshawn Sorey's approach to music speaks to contempt ...
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