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Musician

John Handy

Born:

John Handy - saxophone, vocals John Handy is an alto saxophonist who plays the tenor, saxello, baritone, clarinet, oboe and vocals. He is actually a consummate world musician and teacher who devoted his life to using music to elevate the human spirit. His soulful and fiery saxophone style is instantly recognizable to generations of jazz fans world-wide. As a performer and composer he continues to sweep audiences into ecstasy with his vast range of creative, emotional, and technical inventiveness. With a superb knowledge and practical experience with music of several cultures, he fuses, with each selection, a musical genre that is coherent, provocative, logical, and enjoyable

Article: History of Jazz

James "Plunky" Branch: Afrobeat, Funk e Spiritual Jazz

Read "James "Plunky" Branch: Afrobeat, Funk e Spiritual Jazz" reviewed by Angelo Leonardi


Da circa un decennio il jazz statunitense e britannico vede l'emergere di giovani protagonisti che spezzano i confini tra i generi “colti" e popolari, operando una sintesi sfaccettata tra le molte espressioni della black music. Un torrente tumultuoso che viene alimentato dalle spinte politico-identitarie della comunità afroamericana (la rinascita dell'Afrofuturismo, il movimento Black Lives Matter), che ...

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Article: Interview

John McLaughlin And Zakir Hussain: Shakti's Half-Century Of Spontaneous Joy

Read "John McLaughlin And Zakir Hussain: Shakti's Half-Century Of Spontaneous Joy" reviewed by Mike Jacobs


John McLaughlin. Ustad Zakir Hussain. Speak either name and a host of musical notions can come to mind. Pair them together and they conjure just one: Shakti. Indeed, the iconic jazz guitarist and celebrated Indian percussionist have each built long careers replete with enough musical achievements, stylistic innovations and instrumental mastery to gain entrance ...

Album

Recorded Live At The Monterey Jazz Festival

Label: Essential Jazz Classics
Released: 2022
Track listing: Spanish Lady; If Only We Knew;

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Article: Under the Radar

A Different Drummer, Pt. 8: Ustad Zakir Hussain Talks Tabla

Read "A Different Drummer, Pt. 8: Ustad Zakir Hussain Talks Tabla" reviewed by Karl Ackermann


Origins of the Tabla The twin hand drum was developed in its current form about 300 years ago on the Indian subcontinent but the roots of the tabla may date to pre-Muslim, Arabia. The name comes from “tabl," the Arabic word for drum, and temple carvings of tabla-like double-hand drums date to 500 BCE. Tabla is ...

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Article: Under the Radar

Charu Suri: The Jazz Raga

Read "Charu Suri: The Jazz Raga" reviewed by Karl Ackermann


The Roots of Indo-JazzJazz and Indian ragas share common ground in their traditional use of improvisation. They are often talked about in compatible terms, but Ravi Shankar, for one, did not believe that ragas could be compared to jazz improvisation. Spontaneous creation in jazz differs from the complex rhythmic structural patterns of Indian improvisation. Shankar became ...

Album

Mingus At Carnegie Hall (Deluxe Edition)

Label: Atlantic Records
Released: 2021
Track listing: CD1: Introduction; Peggy’s Blue Skylight; Celia; Fables Of Faubus. CD2: Big Alice; Perdido; C Jam Blues.

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Article: Top Ten List

Pat Martino Top Ten Albums: More Than Meets The Eye

Read "Pat Martino Top Ten Albums: More Than Meets The Eye" reviewed by Ian Patterson


Hugely admired by his peers, guitarist Pat Martino never really enjoyed the high profile accorded the likes of John McLaughlin, John Abercrombie, Pat Metheny or John Scofield, though in that esteemed company the Philadelphian guitarist, who passed away in 2021, surely belongs. In a sixty-year career, interrupted for the guts of a decade by ...

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Article: Interview

Pat Martino: Creative Force

Read "Pat Martino: Creative Force" reviewed by Mike Brannon


This article was first published at All About Jazz in June 2000. Pat Martino. A name that strikes anything from fear to sheer awe and reverence in musicians who know who this is. And what he's done and been through. And continues to go through. The name resonates a bridge between the true Jazz ...

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Article: In the Artist's Own Words

On the Road With Idris Ackamoor & The Pyramids

Read "On the Road With Idris Ackamoor & The Pyramids" reviewed by Gioele Pagliaccia


The first time I met Idris Ackamoor was inside of Centro Stabile di Cultura on a Sunday afternoon in November 2018. The organizers at this historical venue in San Vito di Leguzzano, a small village half hour from Vicenza surrounded by foundries and wheat fields, asked me if I could lend my Ludwig Drums to the ...


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