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Gene Ammons
Born:
Eugene "Jug" Ammons was a jazz tenor saxophone player, and the son of boogie-woogie pianist Albert Ammons. Ammons began to gain recognition when he went on the road with trumpeter King Kolax band in 1943, at the age of 18. He became a member of the Billy Eckstine and Woody Herman bands in 1944 and 1949 respectively, and then in 1950 formed a duet with Sonny Stitt. His later career was interrupted by two prison sentences for narcotics possession, the first from 1958 to 1960, the second from 1962 to 1969. Ammons and Von Freeman were the founders of the Chicago School of tenor saxophone. His style of playing showed influences from Lester Young as well as Ben Webster
Two-Trumpet Cacophony
by AAJ Staff
This article was first published at All About Jazz in February 2002. Miles had it figured out: never record with another trumpeter in a small group setting--it just don't work. Or was it his ego? Two, three, and multi-trumpet small group ensembles represent an obscure configuration in modern jazz. This position contrasts sharply ...
Reeds and Deeds: Cookin'
by C. Andrew Hovan
Chances are that if you're reading these notes right now you're more than a bit familiar with the talents of tenor saxophonists Eric Alexander and Grant Stewart and might even have picked up Wailin' (Criss 1258), their first effort together leading a quintet billed as Reeds and Deeds. As such, it would probably be redundant to ...
Easily Slip Into Another World: A Life in Music
by Eric Gudas
Easily Slip Into Another World: A Life In Music Henry Threadgill and Brent Hayes Edwards403 pagesISBN: #9781524749071Alfred A. Knopf 2023 In the early 1970s, Henry Threadgill--composer, multi-instrumentalist, bandleader, inventor of the hubkaphone, Vietnam veteran, and all-around Proteus (in Ovid, the god “who always changes") of Black music and ...
Two Tenors South Africa Style
by Chris May
The latest batch of albums from Canada's We Are Busy Bodies label, which specialises in vinyl reissues of South African jazz, spotlights saxophonists Winston Mankunku Ngozi and Mike Makhalemele, separately and together, on three discs originally released in 1975 and 1976. Ngozi and Makhalemele both opted to remain in South Africa during the apartheid era, thus ...
Easily Slip Into Another World: A Life In Music
by David A. Orthmann
Easily Slip Into Another World: A Life In Music Henry Threadgill and Brent Hayes Edwards403 pagesISBN: #9781524749071Alfred A. Knopf 2023 Describing Easily Slip Into Another World: A Life In Music as an autobiography of a jazz musician misses the mark by a wide margin. Better to say ...
Interviews With Pianist Steve Denny and Singer Charlie Fox
by Steven Roby
This broadcast of Backstage Jazz features an interview with jazz pianist Steve Denny and multi-genre singer Charlie Fox. We'll also hear from Wayne Shorter, Gene Ammons, and Bria Skonberg. Steve Denny has applied his expansive versatility as a pianist, composer, and educator to the realms of jazz, classical, R&B, gospel, and beyond. He was ...
Que Viva La Musica
by C. Andrew Hovan
Much has been made about the making of a hybrid style involving Latin music and jazz strains that was established by Dizzy Gillespie and Chano Pozo in the late '40s. However, the ripples of those early experiments would reach far and wide for subsequent decades, even if the casual listener might have been largely unaware of ...
Eddie Harris: Harmonic Genius
by David Brown
Long underrated in the pantheon of jazz greats, Eddie Harris (born 1943; died 1996) was an eclectic and imaginative saxophonist whose career was marked by a hearty appetite for experimentation. For quite some time, he was far more popular with audiences than with critics, many of whom denigrated him for his jazz-pop, rock-and funk- influenced fusion, ...
Anthony E. Nelson Jr.: Swinging Sunset
by Chris May
Swinging Sunset, New Jersey-based tenor saxophonist Anthony E. Nelson Jr.'s fifth album on his Musicstand label, is an unpretentious, undemanding and utterly enjoyable celebration of the organ trios of the 1950s and 1960s. From the first bars of the opener, Eddie Heywood's “Canadian Sunset," it feels like we are in for a good time and, over ...
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