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How to Play a Tin Whistle Like Michael Brecker
by Peter Rubie
I was talking to a musician friend of mine the other day, asking her how her move from Brooklyn to Forrest Hills was going. She said, I love it! I love the neighborhood and best of all, musically, I'm not running any more jam sessions at the moment, just doing gigsand practicing! It's great."
To Dream the Impossible Dream: the quest for a music education
by Peter Rubie
I've been thinking a lot about how jazz is taught recently. I realize now, my search for a real musical education was not a simple thing, but a series of life changing moments. My son, on the other hand, is planning to study music in college after he finishes high school. Though it would fill his ...
Getting Past (E)Go
by Peter Rubie
I like to play squash, and the best advice a pro ever gave me was this: Hit the ball in the middle of the racquet." Do you have any idea how difficult that simple piece of advice is to master? Not so long ago, a friend (Brent Vaartstra) posted a great podcast about overcoming ...
Warne Marsh & Lee Konitz: Two Not One
by Nic Jones
Warne Marsh & Lee Konitz Two Not One Storyville 2009 The cumulative impression of this four-disc reissue of sets tenor saxophonist Warne Marsh and alto saxophonist Lee Konitz recorded in the 1970s is one of exceptional creativity. Both men were and are masters of the art of never ...
Warne Marsh and Lee Konitz: Two Not One
by Chris Mosey
In 1975, the members of a musical appreciation society called The Danish Jazz Exchange clubbed together to bring their two favorite American improvisers, Warne Marsh and Lee Konitz, to their homeland. They then listened in rapt attention as the saxophonists played a series of concerts at Montmartre, then Copenhagen's premier jazz venue. The shadow of blind ...