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Meet Kenneth Cobb
by Tessa Souter and Andrea Wolper
We suppose it makes sense that our latest Super Fan, a high-level mathematician—a contractor for NASA, no less—would keep meticulous records about, well, everything, from his massive CD and LP collection, to his personal road trip “mix tapes," to every concert he's attended. But applying his mathematical genius to fitting an entire week's worth of music ...
Samara Joy: Ascension Into Jazz
by R.J. DeLuke
When Samara Joy performs, she takes her place, stands confidently and sings. Immediately the strength and richness of her voice—which is natural—grabs the attention of the listener. There are no gyrations. It's refreshing that a young artist doesn't see the need for unnecessary vocal gymnastics. Too often, those can miss the mark. Her style ...
The Touch of Your Lips, Part 3: The Essential Touch in Jazz Piano
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 It would be nice and tidy if the development of tone color as a primary in jazz piano matched its development in the other instruments, but that is not the case. From early on in jazz's history, composers and bandleaders like Duke Ellington, Count Basie, Cab ...
Tadd Dameron, Fats Navarro, Sonny Stitt & JJ Johnson (1946 - 1950)
by Russell Perry
In the past several hours of Jazz at 100, we have featured the music of Dizzy Gillespie, Charlie Parker, Miles Davis, Bud Powell, Thelonious Monk, and Max Roach. In this hour, we will continue to present bebop innovators—pianist/composer Tadd Dameron and his frequent (but short-lived) collaborator Fats Navarro, the next great bebop trumpeter after Dizzy Gillespie, ...
Julian Pressley: From The Duke To Ornette In His Own Way
by Victor L. Schermer
Julian Pressley isn't exactly a household name, but it's a name every jazz aficionado should know. When he plays his alto saxophone, ears perk up because he's playing what they came to hear: music that embodies the legacy. Passionate, quick-witted, and full of new ideas, Pressley stands out in the crowd, a genuine original. Yet you ...
Chris Oatts Quintet at Chris’ Jazz Cafe
by Victor L. Schermer
Chris Oatts Quintet Chris's Jazz Cafe Philadelphia, PA June 23, 2017 Philadelphia keeps churning out great musicians, and one of those who is beginning to generate considerable interest is Chris Oatts. A graduate of Temple University's Boyer College of Music and Dance, he is the nephew of legendary saxophonist Dick Oatts, ...
In Paris: The ORTF Recordings
by Maurizio Comandini
Ogni tanto gli archivi sparsi nel nostro pianeta si aprono per regalare belle e rare emozioni agli attenti cittadini del mondo della musica. Non è cosa così semplice come potrebbe apparire superficialmente: per trovare questi tesori nascosti serve anche l'energia di un gruppo di persone che si appassiona e si mette a caccia delle cose nascoste ...
Luis Perdomo: Twenty-Two
by Dave Wayne
There are so many really good jazz piano trio albums bouncing around of late, that it's truly unusual to hear something that stands out these days. The first few tracks of Luis Perdomo's seventh album as a leader, Twenty-Two, are as technically accomplished and downright pretty as anything out there, but they struck me as less ...
Manuel Valera: Self Portrait
by Dan McClenaghan
On Self Portrait, Grammy-nominated pianist Manuel Valera's first solo piano outing, the artist displays a supple and exquisite touch on his instrument, reflecting the erudition and precision of his classical background. This is worth saying right off because Valera is best known for his vivacious Latin jazz ensemble outings, New Cuban Express (Mavo Records, 2012) and ...
Claudio Filippini: Facing North
by Robin Arends
Pianist Claudio Filippini, born in Pescara in 1982, is one of the bright young stars of Italian jazz. With his album The Enchanted Garden (CAM Jazz, 2011) he was hailed as the new “wonder boy" of Italian jazz. Now he is regarded as a pianist/composer of international stature, with his album Facing North (CAM Jazz, 2013) ...
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