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Neon
Label: Self-Produced
Released: 2023
Track listing: Yuki Ga Furu; Hotaru Koi; Neon; Komorebi; Vol. 1; Maple Leaf Rag.
Arina Fujiwara: Neon
by Katchie Cartwright
Neon, pianist-composer--arranger Arina Fujiwara's luminous debut release, ends on an unexpected note, a solo take on Scott Joplin's “Maple Leaf Rag" (1899), his most popular and enduring tune. It complements her program of four excellent originals and an inspired reconception of “Hotaru Koi," a Japanese children's song. Fujiwara's “Maple Leaf Rag" flows out of Joplin's classic ...
Chamber Jazz
by Nick Catalano
The term “chamber jazz" has risen steadily in prominence in recent years and dealing with its essence is not a simple matter. Jazz seems to constantly involve itself with terms (swing, hard bop, fusion) that defy meaningful compartmentalization. I spend hours discussing some of these terms in my jazz class at Pace University and often fail ...
Neon
By Mike Clinco
Label: Whaling City Sound
Released: 2009
Track listing: Bookends; Sonship; Neon; X Cue Says; Daystream; Amalgam; Beaten Paths; Charade; The Rest Will Follow.
Mike Clinco: Neon
by Glenn Astarita
As a first-call support artist, you must be an adaptable and, of course, knowledgeable player, possessing a broad musical vernacular. Guitarist Mike Clinco transmits these attributes on his 2009 release, featuring a top-flight ensemble of proven jazz veterans. It's easy to discern why Clinco has been summoned to perform with vocalists Bobby McFerrin and Natalie Cole ...
Mike Clinco: Neon
by Matthew Warnock
Neon is an engaging modern jazz album that showcases the diverse background and compositional approaches of Mike Clinco and his ensemble. While this record will fall into the category of modern jazz, the music on Neon draws from blues, rock, Latin and bebop as much as does from the post-bop idiom. In the hands of lesser ...
Neon: Here To There
by John Kelman
Institutional education is undeniably a very good thing, despite running the risk of turning out too many players with a “cook book" approach to improvisation. Still, it limits the number of emergent artists transcending such limitations, and developing individual voices as players and writers. Scottish pianist Gwilym Simcock has, since coming to jazz late in his ...
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