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All New Sounds
by Bob Osborne
On this week's show we feature new music from Escribir, a first look at a massive new release from Ivo Perelman, experimental music from Javier Subatin, the cool sounds of the Montréal Jazz Trio, improvisation from John Edwards, N.O. Moore, Eddie Prévost, & Alan Wilkinson some prog jazz from Krokofant and fascinating duets from Jane Ira ...
Phil Durrant & Martin Vishnick: Rifinitori di momenti
by John Eyles
The fact that this duo exists is a testament to the network of improvised music workshops and venues that thrive in London, with interested musicians often hearing about them by word of mouth. One such workshop is Skronk, which is run every fortnight or so by New Zealand expat and saxophonist Rick Jensen, who welcomes all ...
John Butcher
by John Eyles
In the Building a Jazz Library article on Evan Parker, it says that seasoned Parker followers would describe him as the finest improvising saxophonist of his generation. Curiously, many of those same people would use exactly that phrase about John Butcher. The simple explanation for this apparent contradiction is that we are talking about two generations; ...
Live From Birmingham: Alan Wilkinson, Ari Eisinger, Manos Pa’Aribba & Paul Dunmall
by Martin Longley
Alan Wilkinson & Andrew Cheetham The Lamp Tavern September 26, 2017 The fortnightly (apart from during the low seasons) Fizzle improvised music session takes place on Tuesdays in the rear room of The Lamp Tavern, a back street public house in the old industrial hinterland of Digbeth. Much of ...
Julie Kjaer 3: Dobbeltgaenger
by John Sharpe
An increasingly visible presence on the London scene, Danish saxophonist Julie Kjaer's latest move can only accelerate that prominence. For her third outing as leader she has enlisted the support of two of Europe's most accomplished improvisers in bassist John Edwards and drummer Steve Noble, who can also be heard fuelling the likes of Peter Brötzmann ...
Peter Brotzmann / Steve Noble: I Am Here Where Are You
by Mark Corroto
The greatest artists in history have never been able to capture the immensity of the American sequoia trees. Like the Grand Canyon, their gargantuan size cannot successfully be reduced to canvas by painters like Albert Bierstadt or Thomas Hill, nor captured on gelatin silver prints by photographers like Ansel Adams. Seeing is, indeed, believing. Just like ...
Alan Wilkinson/John Edwards/Steve Noble: London, England, January 9, 2013
by John Sharpe
Alan Wilkinson/John Edwards/Steve NobleCafé OtoLondonJanuary 9, 2013It didn't look promising to begin with. In the dark days of January with the New Year festivities over and done, there's not a lot of enthusiasm for nocturnal adventure, so it was no surprise to see just a couple of people waiting outside before ...