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Musician

Ray Brown

Born:

Ray Brown was born in Pittsburgh, Pennsylvania, and had piano lessons from the age of eight. After noticing how many pianists attended his high school, he thought of taking up the trombone, but was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the double bass. A major early influence on Brown's bass playing was the bassist in the Duke Ellington band, Jimmy Blanton. As a young man Ray Brown became steadily more well known in the Pittsburgh jazz scene, with his first experiences playing in bands with the Jimmy Hinsley Sextet and the Snookum Russel band. After graduating from high school, hearing stories about the burgeoning jazz scene on 52nd Street, in New York City, he bought a one way ticket to New York. Arriving in New York at the age of twenty, he met up with Hank Jones, with whom he had previously worked, and was introduced to Dizzy Gillespie, who was looking for a bass player

1

Article: Opinion

Can You Judge an Album By Its Label?

Read "Can You Judge an Album By Its Label?" reviewed by Dave Hughes


This article was first published at All About Jazz in March 1999. For almost as long as there have been record labels, many labels have sought to build a reputation or a brand identity for themselves in terms of the genre of music presented on their labels or the technical quality of their product. ...

9

Article: Highly Opinionated

Give Your Regards to Broadway—and Hollywood

Read "Give Your Regards to Broadway—and Hollywood" reviewed by Con Chapman


Those who recognized the complexity and beauty of jazz early on--such as twentieth century French critic Hugues Panassié--rightly characterized it as American's unacknowledged classical music. Their sentiment came to fruition in the wrong way by the end of the century when the genre had fallen from its peak to its current lowly status, tied for last ...

4

Article: Album Review

Oscar Peterson: Con Alma

Read "Con Alma" reviewed by Chris May


To borrow Duke Ellington's description of Louis Armstrong, Oscar Peterson was born poor, died rich and never hurt anyone along the way. He also brought joy to untold numbers of people. But, truth to tell, his style was the twentieth-century equivalent of modern day AI-produced generative music. Sit Peterson down at a piano, progamme him (as ...

Album

Vancouver 1958

Label: Justin Time Essential Collection
Released: 2023
Track listing: Side A: How High The Moon; We'll Be Together Again Side B: Joy Spring; Daahoud Side C: I Like To Recognize The Tune; The Golden Striker; Patricia Side D: Pogo; The Music Box Suite (aka Daisy's Dream)

Album

Go West! The Contemporary Records Albums

Label: Craft Recordings
Released: 2023
Track listing: I'm An Old Cowhand; Solitude; Come, Gone; Wagon Wheels; There is No Greater Love; Way Out West; I've Told Ev'ry Little Star; Rock-A-Bye Your Baby With a Dixie Melody; How High the Moon; You; I've Found A New Baby; Along Together; In the Chapel in the Moonlight; The Song is You; I'm An Old Cowhand (alternate); Come, Gone (alternate); Way Out West (alternate); The Song is You; You (alternate); I've Found a New Baby (alternate).

Album

Con Alma

Label: Mack Avenue Records
Released: 2023
Track listing: Waltz for Debby; My One and Only Love; Blues for My Landlady; Con Alma; I Could Write a Book; It Ain't Necessarily So.

15

Article: Interview

Eleonora Strino: Leading The Way

Read "Eleonora Strino: Leading The Way" reviewed by Ian Patterson


Any young person who dreams of becoming a jazz musician surely imagines the romance of a bohemian life spent traveling the world, playing to appreciative audiences. But it is not an easy career path. It requires complete dedication and many years of study and practice. The economics are hardly enticing either. And life on the road, ...

3

Article: Live Review

Belgrade Jazz Festival 2023

Read "Belgrade Jazz Festival 2023" reviewed by Martin Longley


Dom Omladine / MTS Dvorana Belgrade, SerbiaOctober 24-29, 2023 Following the financial turbulence of 2022's Belgrade Jazz Festival, this year's edition, the 39th, resounded with a sturdier sureness, getting back to a confident momentum. Its programme was as reliably impressive as ever, particularly in the quality of its international bookings. We ...


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