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Muddy Waters
Born:
Waters was born McKinley Morganfield in Issaquena County, Mississippi in 1913 (He later told people that he was born in 1915 in Rolling Fork, Mississippi; the reason for this remains unknown). His grandmother Della Grant raised him after his mother died in 1918. His fondness for playing in mud earned him his nickname at an early age. Waters started out on harmonica but by age seventeen he was playing the guitar at parties and "fish fries", emulating two blues artists who were extremely popular in the south, Son House and Robert Johnson. "His thick heavy tone, the dark coloration of his voice and his firm almost stolid manner were all clearly derived from House," wrote Peter Guralnick in Feel Like Going Home, "but the embellishments which he added, the imaginative slide technique and more agile rhythms, were closer to Johnson." In 1940 Waters moved to St
Rolling Stones: Hackney Diamonds (2CD)
by Doug Collette
The Rolling Stones have taken some risks of greater and lesser proportion over the course of their sixty-plus- year career, but perhaps no gamble is so great as the decision by the surviving members of the band to continue on after the passing of drummer Charlie Watts. With the blessing of their co-founder in ...
Rory Gallagher: I Wonder Who
by Ian Patterson
The blues was always close to Irish guitarist Rory Gallagher's heart. He covered tunes by Lead Belly, Big Bill Broonzy, Melvin Jackson, Otis Rush, Blind Boy Fuller, Rosco Gordon, Bo Carter, Sonny Boy Williamson, and Son House. He also recorded with Muddy Waters, Albert King and Albert Collins. This Muddy Waters song from the million-selling live ...
House Rent Party
by Jason Young
Nothing sparks musical intrigue like a trip back in time. Such was the case when in 1992, Delmark Records released Sunnyland Slim's House Rent Party, featuring Jimmy Rogers, Willie Mabon and St Louis Jimmy. A part of their Apollo series, it gave blues enthusiasts an audio lens into the budding of Chicago blues.Tracing back ...
Anthony Hervey with the John Toomey Trio at the Attucks Jazz Club
by Mark Robbins
Anthony Hervey may be fairly new on the jazz scene but he plays the trumpet with the chops of an older experienced player. A graduate of the Julliard School in 2020, Hervey has been a first-call sideman for Christian McBride, m :Jon Batiste, Michael Buble and Wynton Marsalis among others. His musical prowess was not only ...
Remembering Saxophonist, teacher, and composer Carl Grubbs
by Matt Hooke
Saxophonist Carl Grubbs built a community around him everywhere he played, whether in 1970s jny: Philadelphia where people gathered outside of his house to listen to his band practice, or in jny: Baltimore where he mentored countless generations of musicians since the 1990s. Even as his health worsened over the past year, Grubbs continued ...
Jimi Hendrix Experience: Live At The Hollywood Bowl – August 18, 1967
by Doug Collette
The archiving of Jimi Hendrix' vault has apparently reached the point where what happens on a given release is less important than when it happened. So it is with Live At The Hollywood Bowl--August 18, 1967, the setlist for which is similar to that of his ground-breaking June '67 performance at Monterey Pop, one ...
Rory Gallagher: All Around Man: Live In London
by Doug Collette
To the uninitiated, Rory Gallagher's All Around Man -Live in London may appear to be nothing more than a routine live release from the late Irish bluesman's archive. Even to fans who take only a cursory glance at the title and its contents, it could well seem to be a somewhat desultory effort in the wake ...
Taj Mahal: Savoy
by Steve Yip
Folk/blues practitioner Taj Mahal's Savoy is to be savored. As one of the custodians of the blues, Mahal has long been a legend in his own time. This collection traverses a cultural-musical continuum in an indispensable residency in the annals of Black American music. The namesake of this album--the Savoy on Lenox Avenue in ...
Ed Cherry: Are We There Yet?
by Andrew Scott
In debates between Kenneth Miller, Richard Dawkins, and the late Stephen Jay Gould, the “stay in your lane" boundaries that separate science from theology/philosophy become particularly porous, revealing the frequency with which individuals intellectually “drift" in order to hold onto seemingly contradictory opinions of truth (empirical, scientific) and belief. Jazz, no less an ideology, ...
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