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Jack DeJohnette

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Born in Chicago in 1942, Jack De Johnette is widely regarded as one of jazz music's greatest drummers. Music appreciation flourished in De Johnette's family. He studied classical piano from age four until fourteen before beginning to play drums with his high school concert band.and taking private piano lessons at the Chicago conservatory of music. De Johnette credits his uncle, Roy l. Wood Sr., who was one of the most popular jazz DJ's in the South side of Chicago, later vice president of the National Network of Black Broadcasters, as the person who initially inspired him to pursue music. In his early years on the Chicago scene, he led his own groups and was equally in demand as a pianist and as a drummer

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Article: Interview

Meet Drummer Danny Gottlieb

Read "Meet Drummer Danny Gottlieb" reviewed by Mike Brannon


This article was first published at All About Jazz in January 2001. If you don't know drummer Danny Gottlieb or you know him from only the earliest incarnations of the Pat Metheny Group, there's a lot you don't know about this talented, multi-faceted musician. Not complacent to rest on past laurels of any kind, ...

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Article: The Big Question

What was the most memorable jazz concert you attended?

Read "What was the most memorable jazz concert you attended?" reviewed by Chris May


If you are an AAJer, you will almost certainly have some live performances filed under magic moments. My first came in 1966 when I saw Charles Lloyd at the Juan-Les-Pins Jazz Festival in Antibes, France. At the time I knew Lloyd only through his recorded work with Chico Hamilton's group and nothing had prepared me for ...

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Article: Album Review

John Surman: Words Unspoken

Read "Words Unspoken" reviewed by Joshua Weiner


Englishman John Surman has been one of jazz's most important reedmen since his debut album on the progressive Deram label in 1969. From the start, on classic albums such as John McLaughlin's Extrapolation, Surman displayed a unique voice on the baritone sax, soprano sax, and bass clarinet, sometimes adding electronics to the mix. Since his first ...

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Article: Multiple Reviews

Joel Dorn's Nine Lives: Label M and Live at the Left Bank

Read "Joel Dorn's Nine Lives: Label M and Live at the Left Bank" reviewed by C. Michael Bailey


This article was first published at All About Jazz on March 6, 2001. It wasn't but a few years ago that veteran record producer Joel Dorn and a business partner founded 32 Records, a label devoted to re-releasing the old Muse and Landmark catalogs and releasing previously unheard live recordings by major jazz artists. ...

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Article: Interview

Interview with Joe Lovano

Read "Interview with Joe Lovano" reviewed by Mark Felton


This interview was first published at All About Jazz in 1996. All About Jazz: The author of the liner notes of your latest release Quartets suggests that the current trend in jazz is towards a dialogue between the avant-garde and the tradition. How do you interpret that? Joe Lovano: Well, I don't ...

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Article: Album Review

Sooäär, Yaralyan, Ounaskari: Zula

Read "Zula" reviewed by Ian Patterson


A group sound is a precious thing. It may take years to develop, or it might spring, fully fledged, from the offing. Either way, it is a calling card and a brand. Tinkering with it too much might risk alienating loyal fans. The trio of Estonian guitarist Jaak Sooäär, Finnish drummer Markku Ounaskari and Armenian bassist ...

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Article: Play This!

Arthur Blythe: Lenox Avenue Breakdown

Read "Arthur Blythe: Lenox Avenue Breakdown" reviewed by Chris May


One of the most egregiously underestimated albums in jazz history, alto saxophonist Arthur Blythe's Lenox Avenue Breakdown was released on vinyl by Columbia in 1979 and on CD by Columbia (Japan) in 1995 and Koch Jazz in 1998. That's it bar a dodgy fourfer. Blythe fronts a septet completed by flautist James Newton, tubaist Bob Stewart, ...

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Article: Album Review

Alma Tree: Sonic Alchemy Suprema

Read "Sonic Alchemy Suprema" reviewed by Karl Ackermann


New York native Ra Kalam Bob Moses grew up in the same building as Max Roach, Art Blakey and Elvin Jones. Early on he saw performances by many of the best jazz drummers in history, including Roy Haynes, Rashied Ali, Milford Graves, Billy Higgins, and Ed Blackwell. As a teenager in the mid-1960s, he played with ...

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Article: Album Review

Micah Thomas: Reveal

Read "Reveal" reviewed by Mike Jurkovic


A drop mic, double plus good treatise by three very ballsy players--pianist Micah Thomas, bassist Dean Torrey, and drummer Kayvon Gordon--Reveal wastes no time stating its case, taking centerstage, and holding that promised land's glories tight. Recorded in one seven-hour session, Thomas's second far-flung outing as a Blue Note leader and his third overall (the self-produced ...


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