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Arild Andersen Group: Affirmation
by Karl Ackermann
For almost half a century, Arild Andersen has been a pillar of Manfred Eicher's ECM label. His ECM albums have traversed dissimilar territory, from the brooding Shimri (1976), the folk-influenced Sagn (1990), to the orchestral grandeur of Live at Belleville (2008). At seventy-seven, the Norwegian bassist offers the almost entirely improvised Affirmation. Andersen is joined by ...
Arild Andersen Group: Electra
by John Kelman
With the exception of saxophonist Jan Garbarek, fellow Norwegian Arild Andersen--who has a considerably smaller discography as a leader--has created some of the ECM label's most stylistically diverse music since the early 1970s. From exploring the nexus of traditional folk music and improvisation on Sagn to the fusion-centric Molde Concert, the spontaneous composition of Karta and ...
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