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Lee Morgan
Born:
Lee Morgan was a jazz prodigy, joining the Dizzy Gillespie big band at 18, remaining a member for two years. Beginning in 1956, he began recording as a leader, mainly for the Blue Note label, eventually he recorded twenty-five albums for the company. Morgan's principal influence as a player was Clifford Brown, having had direct contact with him before Brown's premature death.
He was also a featured sideman on several early Hank Mobley records, and John Coltrane's Blue Train. On the latter LP, he even played a bent-up horn like Gillespie's. Joining Art Blakey's Jazz Messengers in 1958 further developed his talent as a soloist and writer. He toured with Blakey for a few years, and was featured on Moanin, which is probably Blakey's best known recording. When Benny Golson left the Jazz Messengers, Morgan persuaded Blakey to hire Wayne Shorter, a young tenor saxophonist, to fill the chair. This classic version of the Jazz Messengers, including Bobby Timmons and Jymie Merritt would record the classic The Freedom Rider album.
Back In The Groove: Material Matters
by Tarik Townsend
An aspect of jazz that is often overlooked is the material. That is, the very tunes that the musicians are performing. Arguably more important than the key or the tempo, the song itself dictates where the musician's inspiration will go, and even that isn't always a sure thing. They're a launching pad and an indicator of ...
Roswell Rudd, Minnie Riperton, Tomoko Omura and Others
by Jerome Wilson
This vintage show from October 2021 has the usual eclectic mix of artists, including Roswell Rudd, Minnie Riperton, Herbie Hancock, Tomoko Omura, Denis Charles, and much more. Playlist Henry Threadgill Sextett I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 John Nyerges ...
Paul R. Harding / Michael Bisio / Juma Sultan: They Tried to Kill Me Yesterday
by Mark Corroto
When we speak of poetry and music, should we ask the chicken and the egg question? As in, which came first? Certainly there was music before spoken word, for imitations of bird calls and other nature sounds will have predated language. So, it's settled, right? Maybe, but not so fast. They Tried to Kill Me Yesterday ...
Two-Trumpet Cacophony
by AAJ Staff
This article was first published at All About Jazz in February 2002. Miles had it figured out: never record with another trumpeter in a small group setting--it just don't work. Or was it his ego? Two, three, and multi-trumpet small group ensembles represent an obscure configuration in modern jazz. This position contrasts sharply ...
Paul Kendall: Whisper Not
by Jack Bowers
An organ trio led not by the organist, Dan Kostelnik, but by tenor saxophonist Paul Kendall. Makes no difference, as the music on Whisper Not is delightful, and Kostelnik and Kendall sound like they've been playing together for years instead of for the first time on this impressive studio date, recorded in March 2023.
John Swana: Philly Gumbo Vol.2
by C. Andrew Hovan
It seems like a lot of up and coming trumpeters these days go for the bop stylings of Freddie Hubbard and Woody Shaw as their main influence. Far fewer look to players like Art Farmer or Kenny Wheeler for inspiration. That's what has made watching the development of Philadelphia trumpet man John Swana so fascinating over ...
Roy Campbell: Visitation Of Spirits
by John Sharpe
A former stalwart of the New York avant jazz scene, which finds expression at the annual Vision Festival, trumpeter Roy Campbell died in January 2014, aged 61. While not quite forgotten, his name does not spring readily to the lips a decade on. Perhaps Visitation Of Spirits, an archival live recording from 1985, will help redress ...
Eddie Henderson: Witness To History
by Mike Jurkovic
Make no mistake: it is the hot buttered soul, Shaft"-like theme of Scorpio Rising" that first snags one's attention. But once snagged, the old cool sets in and Witness To History, trumpeter Eddie Henderson's self curated soundtrack, unwinds with a wicked fervor. A deep, wicked joy. Henderson--who has pretty much seen it all from ...
Jimmy Smith: Dot Com Blues
by Chris M. Slawecki
He's known as one of the founding jazz fathers of Hammond B-3 organ funk, but Jimmy Smith has always played the blues. Born in December 1928 in a suburb west of Philadelphia, Smith has been performing since he was 12, at that time in a song and dance act with his father. After a stint in ...