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Evan Parker Electro-Acoustic Ensemble: The Moment's Energy
by AAJ Italy Staff
Tra i progetti di Evan Parker, l'Electro-Acoustic Ensemble riveste un ruolo di crescente centralità come luogo" di sperimentazione, non solo perché l'organico si va progressivamente allargando - quattordici sono i musicisti coinvolti in questo nuovo disco registrato in occasione del Festival di Huddersfield del novembre 2007 - ma anche per il continuo ridefinirsi del rapporto tra ...
Evan Parker Electro-Acoustic Ensemble: The Moment's Energy
by John Kelman
Over the course of a dozen years and four albums, British saxophonist Evan Parker's groundbreaking Electro-Acoustic Ensemble has grown in size and scope, from the sextet that released Toward the Margins (ECM, 1997)--and still remains at the core of the group today--to the 11-piece ensemble responsible for The Eleventh Hour (ECM, 2005). Retaining the careful balance ...
Evan Parker Electro-Acoustic Ensemble: The Eleventh Hour
by Chris May
With over a decade of serious and engaging electro-acoustic experimentation behind him--some of it with the Electro-Acoustic Ensemble, some of it in other contexts--Evan Parker has produced his most ambitious and perfectly realised work in the genre to date in The Eleventh Hour: a masterpiece of sonic adventure and time travel. Not jazz as we previously ...
Evan Parker Electro-Acoustic Ensemble: The Eleventh Hour
by John Kelman
Anyone fortunate enough to hear British free jazz icon Evan Parker deliver his solo performance at this year's Ottawa International Jazz Festival got to hear him at his most exposed. While much has been written about his extended approaches on the soprano and tenor saxophones--including circular breathing that allows him to create virtually endless waves of ...
Evan Parker Electro-Acoustic Ensemble: Memory/Vision
by Jerry D'Souza
Man and machine manipulate music. Man thinks and machine obeys. That's the way it has been with the Evan Parker Electro-Acoustic Ensemble since the group banded together in 1992. Sound and signal processors, as well as computers, are fed by the imagination of the players. Technology swallows the impulse and pours it out. What happens at ...