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Musician

Misha Alperin

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Article: Album Review

Alessandro Sgobbio: Piano Music 2

Read "Piano Music 2" reviewed by Neri Pollastri


A un anno di distanza dal suo Piano Music, Alessandro Sgobbio fa uscire il secondo volume, Piano Music 2, che si differenzia dal precedente essenzialmente per l'uso, assieme al pianoforte, del live electronics. Registrato come l'altro negli studi Artesuono di Stefano Amerio, il disco è piuttosto breve, neppure trentacinque minuti, ed è diviso in ...

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Article: Album Review

Alessandro Sgobbio: Piano Music

Read "Piano Music" reviewed by Neri Pollastri


Messosi in luce con progetti come Pericopes+1, Hitra e il trio Feed di Mauro Gargano, sperimentali, dal forte dinamismo e nei quali utilizzava anche tastiere elettroniche, il pianista pugliese residente a Parigi Alessandro Sgobbio presenta adesso un album in piano solo, dal gusto più tradizionale e nel quale mostra pienamente il suo lato lirico.

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Article: Radio & Podcasts

Jazz Not War: Part 2

Read "Jazz Not War: Part 2" reviewed by Ludovico Granvassu


This time we'll let music do all the talking because it's hard to find words that can channel what's going on. If anything it's in times like this that we are reminded about the power of music. If anything it's in times like these that we are reminded about the power of music. And jazz, in ...

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Article: Catching Up With

Alessandro Sgobbio: la musica come viaggio verso sé stessi

Read "Alessandro Sgobbio: la musica come viaggio verso sé stessi" reviewed by Emmanuel Di Tommaso


Non capita spesso di potersi confrontare con musicisti dal profondo livello culturale e dalla caratura internazionale di Alessandro Sgobbio. A pochi mesi dall'uscita di Transparence, disco d'esordio del quartetto Hitra, abbiamo avuto la fortuna di poter discutere con il pianista di origini pugliesi dei temi e delle idee all'origine dei suoi progetti passati, presenti e futuri, ...

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Article: Live Review

Norwegian Road Trip, Part 4: Oslo and an Interview with Jan Erik Kongshaug

Read "Norwegian Road Trip, Part 4: Oslo and an Interview with Jan Erik Kongshaug" reviewed by John Kelman


Author's Note: Jan Erik Kongshaug, owner and recording engineer at Rainbow Studios, Oslo, passed away on November 5, 2019. Beyond his best-known work on hundreds of recordings for the lauded ECM Records label in collaboration with label head/producer Manfred Eicher, Kongshaug's studio and engineering, mixing and mastering work has garnered significant international acclaim. Still, Rainbow continues ...

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Article: Live Review

TD Ottawa Jazz Festival 2016

Read "TD Ottawa Jazz Festival 2016" reviewed by John Kelman


TD Ottawa Jazz Festival Ottawa, Canada June 22 -July 3, 2016 It's hard to believe, with seasons that move quickly from spring into summer, that it was time, once again, for the TD Ottawa Jazz Festival. Now in its 36th year, the festival has grown from a weekend event into a full-blown, ...

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Article: Take Five With...

Pericopes e il Questionario di Proust

Read "Pericopes e il Questionario di Proust" reviewed by Paolo Peviani


All About Jazz: Il tratto principale della nostra musica. Pericopes: Storie, suoni e frammenti che raccogliamo dal nostro vissuto personale quotidiano. AAJ: La qualità che desidero nei musicisti che suonano con noi. Emiliano Vernizzi: La capacità di sorprendere. Alessandro Sgobbio: Propensione a esporsi al rischio.

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Article: Rediscovery

Piacentini-Bonati-McCandless-Moreno: Circles

Read "Piacentini-Bonati-McCandless-Moreno: Circles" reviewed by John Kelman


Piacentini-Bonati-McCandless-Moreno CirclesNueva1991 Today's Rediscovery will be a challenge for most; few will have heard of the record, and of those that have, even fewer will actually own it. Circles' biggest draw may be Paul McCandless--the reed and woodwind multi-instrumentalist who has, with Ralph Towner and Glen Moore, performed with the genre-busting ...

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Article: Album Review

Anja Lechner / François Couturier: Moderato cantabile

Read "Moderato cantabile" reviewed by John Kelman


ECM Records has long divided its discography in two: the regular series, representing music of a more improvisational bent; and its New Series, featuring largely classical music ranging from the contemporary to the archaic, but more truly defined in its through-composed nature. Still, the line between the two has, however, often been a porous one, where ...


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