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Grand Mal
Label: Barely Auditable Records
Released: 2003
Track listing: Catatonic Posturing I; Nervous Tic; Gray Matter; Spatial Agnosia; The
Final "d" in "Grand" Is Not Pronounced; Big, Bad; Retrograde Amnesia; Shaking Palsy; Tonic Clonic; Catatonic Posturing II.
Kyle Bruckmann: Grand Mal
by Jerry D'Souza
Sound shapes. The shapes that spring from the imagination. What is formless swirls and settles into shape. Or maybe it bloats into excess and then collapses in meaningless heap. The four players on this workout get their collective creativity working in tandem, coming up with some interesting twists and surprises until the final encounter. ...
Kyle Bruckmann: Grand Mal
by Frank Rubolino
A branch of improvising artists with roots on the USA's West Coast flourishes on not being satisfied with the status quo. These Bay Area renegades continue to push the envelope in search of that which is truly new. Their unique experimental environment has beckoned woodwind player Kyle Bruckmann from his Midwest abode on several occasions. On ...
Compositions/Improvisations 2000
Label: Barely Auditable Records
Released: 2001
Track listing: statk; #168; Improvisation; llnlr; Improvisation; #65; Improvisation; eerhre.
Scott Rosenberg: V: Solo Improvisations
by AAJ Staff
In the tradition initiated by Albert Ayler, the saxophone became a direct, hardwired extension of the human body--rather than an instrument constructed to obey external rules. Scott Rosenberg expands upon this idea on Solo Improvisations by playing notes that completely defy conventional assumptions of tone and order. His real talent, pursued at length here, is in ...
Anthony Braxton/Scott Rosenberg: Compositions/Improvisations 2000
by AAJ Staff
Whenever you pick up an Anthony Braxton recording, you can generally expect to hear a distinctive combination of structured composition and full-bodied improvisation. No exception with Compositions/Improvisations 2000. On this disc, Braxton joins forces with reed player Scott Rosenberg, a like-minded individual with his own compositional aesthetic and open-ended style of playing. Roughly a third of ...
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