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Dan Wall

30

Article: 72 Jazz Thrillers

The Most Exciting Jazz Albums since 1969: 2009-2011

Read "The Most Exciting Jazz Albums since 1969: 2009-2011" reviewed by Robert Middleton


The six jazz thrillers for this week are widely diverse--from a big band outlier, a soaring two-sax front line and an expression of the ideas from an esoteric teacher. What they all have in common are their thrilling cohesiveness, gripping rhythms and compelling melodies. 72 Thrilling Jazz Albums, Part 8: 2009-20011 43 Infernal ...

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Article: Multiple Reviews

Phillip Johnston Returns with Diggin' Bones and The Adventures of Prince Achmed

Read "Phillip Johnston Returns with Diggin' Bones and The Adventures of Prince Achmed" reviewed by John Kelman


The consequences of change in the music industry have been predicted for some time now but, with far too many blinkered deniers, it's had to begin approaching critical mass before being recognized for what it is: the commoditization and devaluation of music that has led to increasing challenges for musicians looking to maintain any kind of ...

13

Article: Album Review

Dave Stryker: Strykin’ Ahead

Read "Strykin’ Ahead" reviewed by John Kelman


Having just turned sixty this year, it's still quite remarkable that Dave Stryker--a musician who, unfortunately and unfairly, fits into the category of “one of the best guitarists most have never heard"--has released well over thirty albums as a leader/co-leader (including his Stryker/Slagle Band, with saxophonist Steve Slagle, and Latin-informed Trio Mundo) in a little more ...

3

Article: Album Review

Nick Moran Trio: No Time Like Now

Read "No Time Like Now" reviewed by Dave Wayne


Organ trios can be annoyingly conservative. Perhaps the temptation to revisit the heyday of the style--the early 1960s--and recapture the magic that made all of those Blue Note and Prestige LPs so much fun is just too great. Maybe it's because the Hammond B-3 sound evokes so much nostalgia. Don't count Nick Moran among the sentimentalists. ...

55

Article: Live Review

Dave Morgan & Friends: Kirtland, OH, February 24, 2012

Read "Dave Morgan & Friends: Kirtland, OH, February 24, 2012" reviewed by Matt Marshall


Dave Morgan & Friends40th Annual Lakeland Jazz FestivalKirtland, OHFebruary 24, 2012On the opening night of the 40th Annual Lakeland Jazz Festival, bassist Dave Morgan gathered a host of friends and treated Northeast Ohioans to a rare performance of his The Way of the Sly Man (Being Time, 2010). The piece, based ...

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Article: Album Review

Young / Powell / Vespestad: Anthem

Read "Anthem" reviewed by John Kelman


Public perception can often be misleading. Those only familiar with Jacob Young's ECM recordings, including the sublime Evening Falls (2004), inevitably think of him as a painstakingly lyrical guitarist, informed by Jim Hall's economical forward- thinking and penchant for the sound of a warm, organic hollowbody or steely acoustic instrument. But that's only part of the ...

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Article: Extended Analysis

Dave Morgan: The Way of the Sly Man

Read "Dave Morgan: The Way of the Sly Man" reviewed by Matt Marshall


Dave MorganThe Way of the Sly Man Being There2010 The teachings of 20th century mystic G. I. Gurdjieff have appealed to their share of artists, pianist Keith Jarrett, guitarist Robert Fripp and singer Kate Bush being among the more famous musicians to fall under Gurdjieff's spell. Jarrett, in ...

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Article: Interview

Mark Feldman: Taking an Eclectic Path

Read "Mark Feldman: Taking an Eclectic Path" reviewed by Sean Patrick Fitzell


Violinist Mark Feldman started out in Chicago playing classical music and bar gigs before moving on to the Nashville scene. He emerged in New York's “downtown" circle with the likes of Arcado String Trio, trumpeter Dave Douglas, and composer-saxophonist John Zorn. His expressive, classically tinged technique was also sought for studio work with pop acts and ...

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Article: Extended Analysis

David Ashkenazy: Out With It

Read "David Ashkenazy: Out With It" reviewed by Martin Gladu


David Ashkenazy Out With It Posi-Tone 2009 The jazz drumming tradition abounds in models for emulation and study, and two such models stand out in importance. For its sheer power, Elvin Jones' work with saxophonist John Coltrane imposes itself on any serious student of the drum set. The ...


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