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Musician

Walter Booker

Born:

20

Article: Album Review

Xaver Hellmeier: X-Man in New York

Read "X-Man in New York" reviewed by Jack Bowers


Drummer Xaver (X-Man) Hellmeier has been little known to date outside his native Germany and other European countries. One way to help redress that oversight is to surround oneself with some of the most well-respected and talented musicians on the New York scene, which is what Hellmeir has done on his superb debut album, X-Man in ...

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Article: Radio & Podcasts

New Releases Plus Birthday Shoutouts To Timeless Jazz Women Going Full Swing

Read "New Releases Plus Birthday Shoutouts To Timeless Jazz Women Going Full Swing" reviewed by Mary Foster Conklin


This broadcast includes new releases from Sarah McKenzie, Michael Weiss, Susan Alcorn, Vanessa Perica plus a second posthumous recording from Nora York, with major birthday shoutouts to Joni Mitchell (80!), Betty Bryant (92!), Sheila Jordan (95!), Bertha Hope (87!), Lani Hall (78!), Jen Hodge, Rene Marie, Miho Hazama, Kitty Margolis and Samara Joy, among others. Thanks ...

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Article: Album Review

Wayne Shorter: Adam's Apple To Super Nova Revisited

Read "Adam's Apple To Super Nova Revisited" reviewed by Chris May


In the three and a half years which separate the recording of the Blue Note albums Adam's Apple, in February 1966, and Super Nova, in August and September 1969, jazz went through a paradigm shift going on profound identity trauma. In 1966, though it was already past peak popularity, hard bop was still an important soundtrack ...

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Article: Interview

Ricky Ford: From Across the Sea

Read "Ricky Ford: From Across the Sea" reviewed by R.J. DeLuke


Ricky Ford is a badass tenor saxophonist. Many will recall his fierce and strong playing on his Muse releases in the '80s. Others may be aware that he was a stalwart member of big bands like the Duke Ellington Orchestra under the leadership of Mercer Ellington and with Charles Mingus and later the Mingus Dynasty band. ...

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Article: Building a Jazz Library

Sonny Rollins: Ten Colossal Albums

Read "Sonny Rollins: Ten Colossal Albums" reviewed by Chris May


The history of modern jazz is a short one, but even so there are few musicians whose careers began in the bop era and who are still with us in 2022. Drummer Roy Haynes is one. Tenor saxophonist Sonny Rollins is another. Both players recorded with trumpeter Fats Navarro and pianist Bud Powell in 1949.

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Article: Building a Jazz Library

Muse Records: Ten Smoking Hot Albums

Read "Muse Records: Ten Smoking Hot Albums" reviewed by Chris May


Alone among the other great jazz labels of the 1960s and 1970s—Blue Note, Prestige, Riverside, Impulse!, Strata-East and Atlantic—Joe Fields' Muse is rarely anthologised, written about or otherwise celebrated. Yet like its peers, Muse was prolific, releasing over 200 premium-grade albums during the 1970s, its most active decade, alone. This relative obscurity is ...

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Article: Album Review

Jim Snidero & Jeremy Pelt: Jubilation!

Read "Jubilation!" reviewed by Jack Bowers


The complete title of this splendid album by alto saxophonist Jim Snidero and trumpeter Jeremy Pelt's New York-based quintet is Jubilation! Celebrating Cannonball Adderley. In other words, honoring the life and music of one of the jazz world's most illustrious altos, a consummate artist (and showman) who ranks alongside Bird, Stitt, Pepper, Konitz, Desmond, Woods, McLean ...

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Article: Interview

Mark Morganelli: Adds Club Owner To His Resume

Read "Mark Morganelli: Adds Club Owner To His Resume" reviewed by R.J. DeLuke


Mark Morganelli has long been known as a fine trumpet player and a promoter with years of experience in the jny: New York City area dating back to a jazz loft 39 years ago, through booking at the Village Gate, Birdland, morphing into his nonprofit Jazz Forum Arts organization known for the summer concert series he ...

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Article: Interview

Nick Brignola: Big Horn, Strong Words

Read "Nick Brignola: Big Horn, Strong Words" reviewed by Rob Rosenblum


This article first appeared in Coda Magazine in 1978. With the possible exception of torture, there has never been an art form more maligned than jazz. So, it is inevitable that every once in a while there is an exceptional musician who finds that the financial rewards of being a jazz musician are too ...


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