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Album

Floating Point

Label: Circumvention Music
Released: 2010
Track listing: 01. Xaphoon; 02. Pastoral Detune; 03. (Re)bound; 04. Elephantine; 05. Bowed Clarinet; 06. Dronehead; 07. Purvis Bearing; 08. Topsy's Hawser. Tutte le composizioni sono di Gray Code.

Article: Album Review

Gray Code: Floating Point

Read "Floating Point" reviewed by AAJ Italy Staff


Note di copertina che sembrano riferirsi più ad esperimenti di fisica applicata che alle solite informazioni sul disco o sui musicisti impegnati sono merce piuttosto rara e come tale incuriosiscono l'ascoltatore. Peraltro già attratto dalla cover del CD rosso acceso, percorsa da onde e da linee che creano effetti ottici tridimensionali e psichedelici. Si parla di ...

Album

Floating Point

Label:
Released: 2008
Track listing: Abbaji (for Ustad Alla Rakha); Raju; Maharina; Off the One; The Voice; Inside out; 1 4 U; Five Peace Band.

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Article: Album Review

John McLaughlin: Floating Point

Read "Floating Point" reviewed by AAJ Italy Staff


Questo nuovo album del chitarrista inglese John McLaughlin è sicuramente una delle cose migliori che l'eroe della chitarra fusion ha realizzato negli ultimi vent'anni. Il suono è nervoso e appassionato, il contesto è stimolante, i nuovi partner (per buona parte indiani) si dimostrano assolutamente all'altezza anche in un contesto fusion e la musica scorre via impetuosa ...

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Article: Album Review

John McLaughlin: Floating Point

Read "Floating Point" reviewed by Ian Patterson


In the first five years of the '70s, English guitarist John McLaughlin put together not one, but two of the most ground-breaking, genre-bending and ultimately influential groups ever assembled. The volcanic Mahavishnu Orchestra--which burned fiercely before being consumed in its own flames--took the jazzrock idiom to heights still unmatched to this day. Shakti on the other ...

Album

The Broken Silence

Label: Floating Point
Released: 2000

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Article: Album Review

Brian Parnham: The Broken Silence

Read "The Broken Silence" reviewed by AAJ Staff


This album by Brian Parnham is another entry from the “school of Steve Roach." The sound-vocabulary that Parnham uses is very much like Roach's, with floating synthesizer chords, rattles, rainsticks, ceramic percussion, gongs, sampled natural and man- made sounds, and didgeridoo notes. This is all enhanced and made rhythmic by the use of (digital) looping devices. ...


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