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Kate Westbrook
Born:
Kate Westbrook was born in Britain but spent much of her childhood in the USA and Canada. Educated at Dartington Hall School, in Devon. Kate went on to study Fine Art at Bath Academy of Art, Corsham, and at Reading University, before returning to live and work on the East and West coasts of America, and travelling in Mexico. The first solo show of her paintings was at the Santa Barbara Museum of Art, California, in 1963. On returning to the UK she continued to exhibit her work and she taught at Leeds College of Art, at that time in the forefront of experimental theatre and performance art. Kate's musical career began in the mid '70s when she joined the Mike Westbrook Brass Band, and gave up teaching to concentrate on the dual career of painter and musician. Kate has toured widely throughout Europe, and as far afield as Canada, Australia and the Far East
Chris Biscoe: Music Is: Chris Biscoe Plays Mike Westbrook
by Duncan Heining
Chris Biscoe can trade choruses with the best and melt the heart with the tenderest of ballads. But that is not what makes him special. Live and on record there is always a sense of quiet anticipation as he starts a solo. One knows one is about to hear something new, something different. It is more ...
London Bridge Live In Zurich 1990
Label: Westbrook Records
Released: 2022
Track listing: CD1: LONDON BRIDGE: London Bridge Is Broken Down. WENCESLAS SQUARE: Wenceslas Square. BERLIN WALL:
Nahe Des Geliebten; Traurig Aber Falsch. CD2: Ein Vogel. VIENNA: Viennese Waltz; Fur Sie; Blighters; Les Morts.
PICARDIE: Picardie; Une Fenetre; Aucassin Et Nicolette.
Chris Biscoe: Music Is: Chris Biscoe Plays Mike Westbrook
by Chris May
Chris Biscoe has played in the bands led by the great British composer Mike Westbrook and/or his wife, singer and lyricist Kate Westbrook, every year since 1979 bar one. He is the Westbrooks' first-call saxophonist and clarinetist and the love runs both ways. It also rings out on every track of this beautiful album.
GRANITE
Label: Westbrook Records
Released: 2018
Track listing: Tracks of Desire; Years of Rotation; Spread-eagled; Glacial Flood; Helpless, Helpless; Curlew Cry; Architects
and Pornographers; Sun and Moon; Raw Creation; Rain-soaked Summer; Sun-Warmed Soil; Story; Wordless,
Wordless; Bathing Belles and Philosophers; Late Autumn; My Barricade; Salvation; Winter; Æons Old; Exile;
Quarry Workers and Instrumentalists; Reckless, Reckless; Yearning Bird; Let’s Face the Music.
Poetry and Jazz: A Chronology
by Duncan Heining
My intention here is to offer a detailed but inevitably incomplete chronology of poetry and jazz. The focus is solely on the combination of the two art forms in performance, not on poetry about jazz or jazz musicians or poetry inspired by jazz but not performed to music. My definition of 'poetry' is fairly broad and ...
Kate Westbrook: GRANITE
by Roger Farbey
Over the years, Kate Westbrook has recorded an impressive number of albums with her husband Mike; from 1975's For The Record onwards. She's released a clutch under her own name too, including Good-Bye Peter Lorre (2005), Cuff Clout (2004) and The Nijinska Chamber (2006)--all on Voiceprint Records. Without doubt, her vocal delivery is stylised and idiosyncratic, ...
GRANITE
by Duncan Heining
GRANITE is Kate Westbrook's fourth solo album, though saying so seems quite an artificial point given her partnership with husband Mike Westbrook over so many recordings. As he is quick to point out, Kate's texts are crucial to the shaping of compositions and projects. That said, GRANITE is Kate Westbrook's most ambitious record to ...
The Last Night At The Old Place
by Duncan Heining
By any standards the release of The Last Night At The Old Place will prove to be one of archive releases of the year, second only, perhaps, to the 'Lost' Coltrane album. All power, therefore, to Mike Gavin who has inherited the Cadillac catalogue from the late John Jack with his first release of archive material. ...
Presenting Problem
by Duncan Heining
Jazz often appears to exist within its own cultural and artistic paradigm, isolated from other arts and in its own discreet musical corner. Worse still from the perspective of those who would hope to make a living from it, it often seems that more people want to play the music than listen to it or, more ...
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