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About Toshinori Kondo
Instrument: Trumpet
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Toshinori Kondo
Born:
Toshinori Kondo is an avant-garde jazz and jazz fusion trumpeter. He has lived in Japan, New York City, and Amsterdam. In college he was a member of the band "Funky Beaters" and by 1976 he was a member of an ensemble which gained some notice in his native Japan. His early influences were Charlie Parker, Dizzy Gillespie, and Miles Davis. That said, his style is quite distinct from theirs and influenced by his religious studies, among other things. In the mid-1970s his career gained new momentum on moving to NYC, where he worked with members of the 'Downtown' scene, including Bill Laswell and John Zorn; his first solo album coming out in 1979
Peter Brötzmann / Sabu Toyozumi: Triangle - Live At OHM 1987
by John Sharpe
Free improvisers must be some of the world's most readily connected collaborators. They can strike up an instantaneous dialogue without the need for rehearsal or even a common language. Of course they might not always hit paydirt, but that uncertainty is part of the attraction. However, German reedman Peter Brötzmann, who was a regular visitor to ...
Simon Berz
by Lawrence Peryer
Today, the Spotlight shines On drummer and sound artist Simon Berz. The impetus for our conversation was the release of Simon's collaboration with American bassist and sonic wizard Bill Laswell and the Japanese avant-garde trumpeter Toshinori Kondo. While Kondo passed away in October of 2020, this work, Breath versus Beats (Everest Records), was not ...
Derek Bailey / Mototeru Takagi: Live at FarOut, Atsugi 1987
by Mark Corroto
To listen to Live at FarOut, Atsugi 1987 is to apply the field of evolutionary biogeography to the world of jazz. Consider the unique evolutionary paths of the creatures on the isolated Galapagos islands and you have the basics of biogeography and its study of the distribution of species and ecosystems. Then there is another type ...
Big in Japan, Part 3: Satoko Fujii’s Year of Living Dangerously
by Karl Ackermann
In the first two parts of this series we looked at the origins of jazz in Japan and its adherence to the American style of composing, arranging and playing. Though jazz has been popular in Japan from the earliest days, it was--as in the United States--hardly met with unanimous approval in a country that prized classical ...
Arthur Williams: Forgiveness Suite
by John Sharpe
Forgiveness Suite belatedly constitutes trumpeter Arthur Williams' first leadership date. A mysterious and troubled soul who flew below the radar, even within free jazz circles, Williams surfaced on a handful of albums in the 1970s and 80s before dropping from view not long after. His most notable appearances are documented on saxophonist Frank Lowe's Lowe And ...
Peter Kuhn: No Coming, No Going – The Music of Peter Kuhn 1978-1979
by John Sharpe
In No Coming No Going, the Lithuanian NoBusiness imprint has unearthed a real gem, as part of its continuing exhumation of the New York 1970s loft scene. Reedman Peter Kuhn was a minor presence during the latter half of the decade, releasing three discs under his own leadership, and appearing on dates by Frank Lowe and ...
Three New Releases from Peter Kuhn
by Dave Wayne
Clarinetist Peter Kuhn came up in the 1970s. In those days, one could count the number of modern jazz clarinet specialists on one hand: John Carter, Perry Robinson, Theo Jorgensmann, Alvin Batiste and—if you include the bass clarinet—Michel Pilz. So, one hand and a finger. Still associated with Benny Goodman, Dixieland and Swing, the clarinet was ...
The Process: The Process
by Chris M. Slawecki
The Process is like a radioactive atom that centers and orbits around the futuristic power trio of bassist Bill Laswell, Red Hot Chili Peppers drummer Chad Smith and Jon Batiste, the latest in his family's longstanding line of New Orleans keyboard visionaries. “The original idea was to film unfamiliar musicians playing together in a ...
Checking in from Global Outposts
by Chris M. Slawecki
Atlas Maior Palindrome Self Produced 2014 Open the package for Atlas Maior's debut CD and here's the first line you read: “Palindrome was completely improvised and recorded live with no overdubs." How you respond to these words will greatly shape how you respond to this music. A ...
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