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Musician

Frank Rosolino

Born:

Frank Rosolino will be remembered and respected throughout the contemporary jazz world for his mastery of the trombone, his uncanny ability to fit and work successfully with a wide range of musical ideas, and perhaps last but not entirely forgotten, his wit and capacity for comic entertainment. There has seldom been a time when any single aspect of this amazingly complex individual was submerged for any great length of time. He was always the superb performer, upfront individually as a musician or commercially as an entertainer. Frank Rosolino was born in Detroit on August 20, 1926 and began taking trombone lessons in the eighth grade or about the time he was 14 years of age

15

Article: Reassessing

Shelly Manne and His Men at the Black Hawk 1

Read "Shelly Manne and His Men at the Black Hawk 1" reviewed by Richard J Salvucci


For many years, but certainly for most of the '50s and '60s, the top jazz drummer--by public opinion--was Shelly Manne. Although he was typically associated with West Coast Jazz, (a term he disliked), Manne had come West from jny:New York City in the '50s and settled in jny:Los Angeles in the halcyon days of the post-war ...

3

Article: Liner Notes

Raul De Souza: Colors

Read "Raul De Souza: Colors" reviewed by Arnaldo DeSouteiro


Raul De Souza's life can be seen as a one-of-a-kind story. Indeed, it would make a perfect novel or film script. It may not be as big a tragedy as 'Round Midnight or Bird, but it has drama, love, adventure, and great music. Picture this: a poor child grows up in Brazil working as ...

31

Article: Album Review

Brendan Lanighan Octet: A Little Optimism

Read "A Little Optimism" reviewed by Jack Bowers


A Little Optimism, trombonist Brendan Lanighan believes, can often go a long way. That is the essential message of the Lanighan Octet's debut recording, a pleasurable pastiche of original compositions by the Buffalo, NY-born trombonist plus a pair of enduring standards that share a springtime theme and the name Richard Rodgers as composer. ...

11

Article: Interview

Bill Goodwin: Not Less Than Everything

Read "Bill Goodwin: Not Less Than Everything" reviewed by Victor L. Schermer


Bill Goodwin is like a breath of fresh air blowing through jazz. From the time around 1954 when he was in jny: Los Angeles and just learning the drums, and inspired by Shelly Manne, to today, around his 80th birthday, he has loved jazz and the musicians unconditionally. He has befriended and worked with so many ...

28

Article: Album Review

Eric Goletz: A New Light

Read "A New Light" reviewed by Jack Bowers


Trombonist Eric Goletz, an in-demand studio musician and sideman in New York City for three decades, released his first album as leader of his own ensemble in March 2021, and quickly followed with the second, A New Light, wherein his core octet is bolstered by three trumpets, half a dozen horns and a five-member string section. ...

15

Article: Interview

Barry Harris: Iconic Jazz Pianist and Keeper of the Flame

Read "Barry Harris: Iconic Jazz Pianist and Keeper of the Flame" reviewed by Victor L. Schermer


In memory of Barry Harris. This article was first published at All About Jazz on October 29, 2015. At the ripe age of 85, pianist Barry Harris has been on the jazz scene for seventy years, and throughout that time, he has remained loyal to and consistent with his bebop roots. Even though his ...

Album

In a Lighter Vein

Label: Sounds of Yesteryear
Released: 2020
Track listing: Theme and Introduction; Young Blood; Laura; ‘S Wonderful; Sophisticated Lady; In a Lighter Vein; It’s a Blue World; Jump for Joe; I’ve Got You Under My Skin; Autumn in New York; Taboo; Moonlight in Vermont; Jeepers Creepers; Harlem Nocturne; Body and Soul; Zoot; April in Paris; Intermission Riff; My Funny Valentine; Stompin’ at the Savoy; Lullaby of Birdland; Theme and Sign Off.

4

Article: Album Review

Stan Kenton and His Orchestra: In a Lighter Vein

Read "In a Lighter Vein" reviewed by Jack Bowers


Stan Kenton was a man of many moods, as was his intrepid and popular orchestra, which endured until his passing in August 1979 and whose renown is kept alive even today by the Stan Kenton Legacy Orchestra. Kenton dons his carefree hat on In a Lighter Vein, an assortment of straight-ahead themes from the orchestra's jazz ...


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