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Teo Macero
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Teo Macero is an amazing man of music; he has worked intimately with some of the greatest figures in the history of jazz as, Duke Ellington, Miles Davis, Dave Brubeck, and Thelonius Monk, in the creation of some of their most enduring works. Attilio Joseph Macero was born and raised in Glens Falls, New York. After serving in the United States Navy, he moved to New York City in 1948 to attend the Juilliard School of Music. He studied composition, and graduated from Juilliard in 1953 with Bachelor's and Master's degrees. In 1953, Macero co-founded Charles Mingus' Jazz Composers Workshop, and became a major contributor to the New York City avant garde jazz scene.He performed live, and recorded several albums with Mingus and the other Workshop members over the next three years, including “Jazzical Moods” (1954) and “Jazz Composers Workshop” ( 1955).During this time frame, in 1954 Macero also recorded “Explorations.” While he had contributed compositions to other albums, this was the first full album of his own compositions, and Macero's first album as a leader
Chris May's Best Albums Of 2023
by Chris May
Another great year for recorded jazz. Fourteen of 2023's most special albums are presented here. Eight are new recordings and six are reissues or previously unreleased archive items. Joint Number One Best New Albums Of 2023 Irreversible Entanglements Protect Your Light Impulse! There are two contendors for the slam-dunk ...
London Brew At Barbican Centre
by Chris May
London Brew Barbican Centre, Main Hall London BrewLondon November 18, 2023 Three years later than originally planned, London Brew made it to the Barbican stage. The star studded ensemble's concert tribute to Miles Davis' Bitches Brew (Columbia, 1970) had been intended to mark the fiftieth anniversary of that album. ...
Makaya McCraven At Barbican Centre
by Chris May
Makaya McCraven with London Contemporary Orchestra Barbican Centre, Main Hall In These Times London November 11, 2023 Jazz, said Whitney Balliett in 1958, is the sound of surprise. The New Yorker critic, who passed in 2007 but remains one of jazz literature's most felicitous writers, was describing jazz ...
Miles Davis Celebration at SFJAZZ Center
by Harry S. Pariser
Music of Miles Davis: A Celebration SFJAZZ Center San Francisco, CA May 25-29, 2023 Music of Miles Davis: A Celebration For four consecutive nights, four different ensembles graced the stage of SFJAZZ Center to present four aspects of the musical legacy of renowned trumpeter Miles Davis The evenings also featured compositions ...
Nubya Garcia & Shabaka Hutchings Meditate Together On Bitches Brew
by Chris May
New releases from London doff the hat to two 20th century American masterpieces. Both of the new albums feature tenor saxophonists Nubya Garcia and Shabaka Hutchings, playing alongside each other and kicking up a storm alongside other luminaries of the London scene. The double album London Brew (Concord) is to be released on ...
Moers Festival Interviews: Brandon Seabrook
by Martin Longley
Brandon Seabrook cultivates a forked assault on the guitar and the banjo, amplifying both of them, and negotiating their strings at high speeds, filling his playing with hyper-detailed improvisations, or constructing complex compositional strategies, frequently referred to as 'riffs.' Seabrook has long been a crucial presence on the New York City scene, whether leading his own ...
Karl Jenkins: Penumbra II
by Chris May
Multi-instrumentalist Sir Karl William Pamp Jenkins CBE (Commander of the Order of the British Empire) is a successful composer of classical, film and TV music. But before he went over to the Dark Side, the then plain old Karl Jenkins was a member of the Rebel Alliance and a pivotal presence in British jazz rock. He ...
Mata Atlantica: Retiro e Ritmo
by John Ephland
The coastal rainforest of Brazil, otherwise known as Mata Atlantica, and “its beauty and vivacity" are the inspiration for Retiro e Ritmo. It is an album frontloaded with a varied cast of characters from hither and yon. Maybe that casting is behind a project seeking to draw worldwide attention to the ongoing shit-storm that includes not ...
Akusmi: Fleeting Future
by Chris May
Anyone who enjoys the landmark albums that are Terry Riley's minimalist manifesto In C (Columbia, 1968) and Jon Hassell's fourth world masterpiece Dream Theory In Malaya (EG, 1981) is in for a big treat. Actually, a triple treat. French-born, London-based composer and producer Pascal Bideau's entrancing Fleeting Future is redolent of not one of those albums, ...
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