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Rex Stewart
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Rex Stewart achieved his greatest glory in a subsidiary role, playing cornet 11 years in the Duke Ellington Orchestra. His famous "talking" style and half-valve effects were exploited brilliantly by countless Ellington pieces containing perfect passages tailored to showcase Stewart's sound. He played in a forceful, gripping manner that reflected the influences of Louis Armstrong, Bubber Miley, and Bix Beiderbecke, whose solos he once reproduced on record. Stewart played on Potomac riverboats before moving to Philadelphia. He went to New York in 1921. Stewart worked with Elmer Snowden in 1925, then joined Fletcher Henderson a year later
Albert Ayler. Un ardito sogno futuristico
by Giuseppe Segala
Come una meteora, Albert Ayler ha attraversato il firmamento della musica neroamericana, dal 1962 al 1970. E ha lasciato il segno. Una traccia presente e attiva tutt'oggi, nell'operato di numerosi musicisti che dedicano il proprio lavoro all'improvvisazione e alla ricerca di un'autenticità dell'espressione artistica. L'apparizione del sassofonista nel mondo del jazz, una vera epifania, ...
Braxton with Dave Brubeck and Chick Corea & Much More
by Marc Cohn
We're going everywhere this week. We offer you twenty-first century music from Joshua Redman, Michael Sarian, magnificent Vanessa Perica, Nicole Mitchell and Manu Katche. Roll up the rug for Benny Goodman's trio, Fletcher Henderson and Rex Stewart(with Johnny Hodges on soprano and Harry Carney on clarinet). Our Charlie Parker @ 100 celebration continues as we start ...
The MacroQuarktet: The Complete Night: Live At The Stone NYC
by John Sharpe
The Complete Night presents forward looking trumpeters Herb Robertson and Dave Ballou in a series of long form improvisations from NYC venue The Stone in 2007, in a foursome with bassist Drew Gress and drummer Tom Rainey. The first set was previously issued as Each Part A Whole on Robertson's Ruby Flower imprint, but in its ...
Sex & Drugs & Jazz & Jive: Top Ten Stash Records Albums
by Chris May
With all the transgressive flair you would expect of bohemian New York City in the 1970s and 1980s, Bernie Brightman's Stash Records made its name with a hugely entertaining series of sex and drugs-themed compilations of swing-era recordings. The first was Reefer Songs in 1976. But Brightman's legacy extends much further. There was a finite amount ...
February Birthdays and Snooky @100
by Marc Cohn
It's the monthly jazz birthdays edition of Gift and Messages, direct from our turntables and CD players in mid-city Baton Rouge to you! We salute the late trumpeter Snooky Young on his 100th birthday with one of the rare recordings under his own name, the out-of-print Horn of Plenty. Great listening, along with tenor birthday madness ...
Alexander Hawkins
by Paolo Peviani
Il tratto principale della mia musica È molto difficile rispondere ma spero che, in qualche modo, il tratto principale della mia musica corrisponda al tratto principale di me stesso. La qualità che desidero nei musicisti che suonano con me Gioia, apertura, generosità, e che non abbiano paure nel fare musica.
Paul Winter Sextet: Count Me In
by Duncan Heining
The Paul Winter Sextet might just be one of the best early sixties groups you never heard. Their story, and that of their leader and altoist Paul Winter's, is certainly one of the most remarkable in jazz. Had some director made a film of the Sextet's short life, jazz buffs would have scoffed at the conceit. ...
Why The Cornet? (Revisited And Revised With Video)
Because of circumstances too complicated and mundane to relate, there will be no Monday Recommendation today. Stuff happens. Maybe there will be a Tuesday Recommendation tomorrow. In the meantime, here is a Rifftides post that appeared nearly ten years ago. Possibly you had forgotten about it. The staff has removed outdated links and added video that ...
Ab Baars e il Questionario di Proust
by Paolo Peviani
All About Jazz: Il tratto principale della mia musica. Ab Baars: Allegramente ostinata. AAJ: La qualità che desidero nei musicisti che suonano con me. A.B.: Grandi orecchie e una storia da raccontare. AAJ: Come musicista, il momento in cui sono stato più felice. A.B.: ...
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