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Musician

Woody Witt

Born:

Composer, performer and educator, Woody Witt is a saxophonist setting his tone as a leader in the jazz world today. His fresh ideas and original approach to improvisation and composition have earned him a place to perform with some of the top names in the industry. Born in Omaha, Nebraska in 1969, Woody discovered his love for music at the early age of 8. He manages a diverse music career centered in Houston, TX. To quote Grammy Award Winning trumpeter and composer, Randy Brecker, "Woody Witt continues the tradition of great 'Texas Tenors' with a big fat sound, fresh ideas and a decidedly modern and original approach to improvisation and composition

Album

Book of Days

Label: Self Produced
Released: 2023
Track listing: Fantomas; Vergennes; Notes In a Foreign Hand; Nomads; Brother; Lighthouse; Point Taken; Broken Angels; Noctuary; Book of Days; Vigil.

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Article: Album Review

Joe Locascio: Book of Days

Read "Book of Days" reviewed by Geannine Reid


Pianist and composer Joe LoCascio has released his seventh album, titled Book of Days. The album was recorded in Houston's famed Wire Road Studios and featured his long-time collaborator Woody Witt on saxophone, bassist Richard Mikel and drummer Daniel Dufour. The project was initiated by Witt, who asked LoCascio to play a few gigs with these ...

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Article: Album Review

Larry Ham/Woody Witt: Presence

Read "Presence" reviewed by Geannine Reid


Larry Ham and Woody Witt's collaborative effort has brought forth the fruit of Presence, with the sophistication and melodic harmonic relationships that used to grace hard bop jazz, while still sporting just the right amount of abstract modernism from today's sound to supply a strong underpinning of the ensemble current. Woody Witt, a Houston ...

Album

Presence

Label: Blujazz
Released: 2017
Track listing: 22’s Blues; The Edge of Uncertainty; One of Many Shades; Dee’s Dream; Just you, Just Me; Pirouette; Bleecker Street; Concentric Circles; You Must Believe in Spring.

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Article: Album Review

Henry Darragh: Too Much Monday

Read "Too Much Monday" reviewed by C. Michael Bailey


My introduction to Houston Jazz came with the receipt of Jacqui Sutton's Billie & Dolly (Toy Blue Typewriter Productions, 2010). A few short months later, I received Henry Darragh's Tell Her for Me (Self Produced, 2011). When I compared the musical personnel for each of these recordings, a light came on in my pea brain alerting ...

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Article: Bailey's Bundles

Christmas III: Jazz Vocals - Tianna Hall/Chris Cortez, Nnenna Freelon, New York Voices and Albrecht Mayer/The King’s Singers

Read "Christmas III:  Jazz Vocals - Tianna Hall/Chris Cortez, Nnenna Freelon, New York Voices and Albrecht Mayer/The King’s Singers" reviewed by C. Michael Bailey


The vocal holiday offerings are all over the map stylistically. Latin, big band, small ensemble singing and whatever the Albrecht Mayer/King's Singer's collaboration is, this a hopping creative season. For a seasonal subgenre of any musical subgenre usually reserved for money-making more than art, this year's releases are exceptional. “May your days be ...

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Article: Bailey's Bundles

The Houston Beat: Drummer Tim Solook

Read "The Houston Beat: Drummer Tim Solook" reviewed by C. Michael Bailey


Drummer Tim Solook began his career on the West Coast, and later migrated East to Texas where he immediately became a “made man" in the Houston Jazz Mafia. A regular drummer for fellow Houston Jazz Mafia member Tianna Hall, Solook has two recordings as a leader in his musical quiver, 2005's Ability and 2013's Comfortable Blues. ...

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Article: Catching Up With

Tianna Hall: Sid, Barney, Duke & Billy

Read "Tianna Hall: Sid, Barney, Duke & Billy" reviewed by C. Michael Bailey


Jazz vocalist Tianna Hall calls Houston, TX home. At first blush, one might consider Houston a hub for the oil industry, barbecue, and country music, but not one for jazz. However, Houston has a long history with the music dating to the age of the territory bands and the “Chitlin' Circuit" existing between the late '20s ...

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Article: Album Review

Chris Cortez: Aunt Nasty

Read "Aunt Nasty" reviewed by Hrayr Attarian


Guitarist and producer Chris Cortez's Aunt Nasty brims with a joie de vivre that permeates the entire album becoming its pervasive theme. The disc opens with a Latinized “Caravan" highlighting Cortez's flamenco guitar stylings that cascade over James Metcalfe's Afro Cuban percussion. Jimi Hendrix's “Fire" closes the album and it transforms into a ...


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