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Brad Goode
Born:
A multi-instrumentalist and composer who performs on trumpet, bass and drums, Brad Goode is recognized as a unique stylist with a highly creative approach to improvisation. He has recorded on dozens of jazz albums, including 18 as a leader for the Delmark, Sunlight, SteepleChase and Origin labels. He is a dedicated educator, with many of his students enjoying successful music careers.
Brad began playing violin at age 4, switching to rock guitar at age 8. He later earned a BM degree in classical trumpet at the University of Kentucky, and an MM degree in bass at DePaul University. His trumpet teachers include Vincent DiMartino, Byron Baxter, Clark Terry, Chris Gekker and William Adam. He studied bass with Larry Gray, Donald "Rafael" Garrett, Carroll Crouch, and Eddie DeHaas.
Vibes on a Breath
Label: OA2 Records
Released: 2023
Track listing: If I Only Had A Brain; Nature Boy; Roaring Fork Closure; We’ll Get Through This; Stolen Moments;
Subconscious Lee; New Orleans; It Could Happen To You; In Your Quiet Place; Seven Steps To Heaven; Bus.
Madd For Tadd
By Steve Enos
Label: Self Produced
Released: 2023
Track listing: Disc 1—Central Avenue Swing; Dameron Stomp; A La Bridges; 400 Swing; Heaven’s Doors
Are Open Wide; Dig It; Keep Rockin’; Society Steps Out; My Dream; Rock and Ride; Take ‘Um.
Disc 2—Our Delight; Lady Bird; Soultrane; Cool Breeze; A Blue Time; Handy Andy (Gnid); I
Think I’ll Go Away; Smooth as the Wind; Mating Call; Super Jet; The Squirrel.
The Unknown
By Brad Goode
Label: Origin Records
Released: 2023
Track listing: Decathexis; Pain; The Windmills of Your Mind; Pentacles; COVID Nightmare; Jóia; Khufu's Horizon; The
Unknown; At Seventeen; Shiprock.
Dan McClenaghan's Best Jazz Albums Of 2023
by Dan McClenaghan
The top jazz recordings of the year in the order (more or less) that they came in the door. Concerning the recorded jazz offerings in in 2023, we could quote Frank Sinatra singing Ervin Drake's lyrics in the 1966 Grammy winner: It was a very good year." It is difficult to pick a favorite. These are ...
Kent Engelhardt & Stephen Enos: Madd For Tadd
by Jack Bowers
The masterworks on this second edition of Madd for Tadd are presented on two discs, one of which bears the name of one of composer/pianist Tadd Dameron's classic themes, Our Delight." Oddly, the other is named for the only non-Dameronian item on the menu, Central Avenue Swing," written by saxophonist and Dameron chronicler Kent Engelhardt who ...
Ted Piltzecker: Vibes on a Breath
by Jack Bowers
Even though Ted Piltzecker is a splendid vibraphonist and ushers a group of Colorado's leading jazz musicians through its paces on Vibes on a Breath, it is his sparkling arrangements that carry the day on this delightful new album. Several members of Piltzecker's septet double, and he makes the most of that versatility, writing charts that ...
If I Only Had a Brain
Album: Vibes on a Breath
By Ted Piltzecker
Label: OA2 Records
Released: 2023
Duration: 06:59
About Madd For Tadd
Instrument: Band / ensemble / orchestra
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Madd For Tadd
Active since:
When Kent J. Engelhardt, Ph.D. was rewarded a YSU Research Professorship for the 2016-2017 school year, he had no idea that his project would garner the attention it is now receiving. Engelhardt’s project, “Tadd Dameron: The Magic Touch” is a recreation of the music on Tadd Dameron’s last album as a leader recorded in 1962. Engelhardt transcribed and notated ten Dameron compositions including “On A Misty Night,” “Fontainbleau,” “Just Plain Talkin’,” “Our Delight,” “Dial B For Beauty,” “Look, Stop And Listen,” “Bevan’s Birthday,” and “Swift As The Wind,” as well as collabortions with lyricist Bernie Hanighen titled “You’re A Joy” and with lyricist Carl Sigman titled “If You Could See Me Now.” Tadd Dameron was born on February 21, 1917 in Cleveland, Ohio, and is known as a composer, arranger, bandleader, and pianist. In addition to composing for his own groups, Dameron wrote for Jimmie Lunceford, Count Basie, Coleman Hawkins, Benny Goodman, Sarah Vaughn, Dizzy Gillespie, and Ted Heath
Brad Goode: The Unknown
by Dan McClenaghan
One of the joys attached to reviewing music is the exposure to artists who otherwise might not show up on the radar. For every Pat Metheny there are a hundred highly-creative, lower-profile, hugely-talented guitarists plucking the strings; for every Brad Mehldau plying the trade ten dozen marvelous, relatively unknown pianists show up in the mailbox or ...