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Article: Multiple Reviews
Two contrasting releases from Charlotte Hug on the Fundacja Słuchaj! label
by John Eyles
For many followers of improvised music, their first experience of Switzerland's Charlotte Hug was around the turn of the millennium, as a viola player, an instrument on which she was classically trained. In collaborations such as the all-female trio with Maggie Nicols and Caroline Kraabel, or the London Improvisers Orchestra (LIO), she soon gained a reputation ...