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Album

Aterraterr

Label: Tora Records
Released: 2021
Track listing: Favo; Albarelli; Lauro; Maggese; Bubbù Sapiens; Katsikodromos; Strazzavisazz; Matematica campestre; Bubbustan.

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Article: Album Review

Giuseppe Doronzo & Pino Basile: Aterraterr

Read "Aterraterr" reviewed by Karl Ackermann


Multi-instrumentalists/composers Giuseppe Doronzo and Pino Basile make up two-thirds of the AVA Trio. On their newest duo project, Aterraterr, the pair offer compositions influenced by the music of their mutual roots in the Apulian region in Italy. Doronzo is an Amsterdam-based baritone saxophonist with a background in jazz improvisation, classical and non-western music. He ...

Results for pages tagged "Tora Records"...

Musician

Giuseppe Doronzo

Born:

Giuseppe Doronzo is an award-winning saxophonist and composer. After classical and contemporary studies in Italy, and jazz studies in Groningen, he moved to Amsterdam where he became an active member of the European improvised scene. He focuses his research on the baritone saxophone, aiming to explore a vocabulary that goes through contemporary classical music, jazz improvisation and non-western music. In 2018 he released his first baritone sax solo album “GOYA” on his record label, Tora Records. In 2015 he recorded a solo piece for the dutch dancer and choreographer Cora Bos-Kroese titled “Two ways towards”, that was played and performed at the New York University (NYC)

Album

Goya

Label: Tora Records
Released: 2018
Track listing: Arundo Choir; Flusso di Coscienza; Conversation; Nesciobrug; Engaku-Ji; Rotunda; Canti dal Grano.

13

Article: Album Review

Giuseppe Doronzo: Goya

Read "Goya" reviewed by Karl Ackermann


Italian baritone saxophonist Giuseppe Doronzo is the type of restless artist that continually looks for new resources from which to expand on the language of his instrument. In recent years he has utilized a variety of format platforms as launching points. With the self-titled debut of the quintet Falga (Self-Produced, 2016) and the subsequent AVA Trio ...


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