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Dangerous Liaisons
Sylvia Brooks
Coto Pincheira & The Sonido Moderno Project
Coto Pincheira & The Sonido Moderno Project
Pieces of Jade
Scott LaFaro
Days In The Life
Robby Ameen
Shambhala
Susan Wylde
Skin and Wire
Bill Bruford and Pianocircus





"The Night We Called It a Day"
Kieran Overs
For the Record

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Loft Jazz New York 1976 (3 CDs)
Wildflowers






Henry Threadgill
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Keith Jarrett
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Ben Neill
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Nicole Mitchell
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Submit Your "Take Five" Answers...
This form is for musicians only.

Take Five is a free way for you to further raise the awareness of your music and yourself at All About Jazz. It allows you the flexibility to select and answer questions and give readers an opportunity to learn more about you.

We'll promote your Take Five questions and answers on the AAJ home page and link to it from your AAJ musician profile.

Answer as many questions as you like--the more thorough, the better.


Please spell check your answers prior to submission. Thank you.


Your name:


Your email address:


Your Website URL:


AAJ musician ID: (what is this?)


Brief Bio (150-200 words):


Instrument(s):


Teachers and/or influences?


I knew I wanted to be a musician when...


Your sound and approach to music.


Your teaching approach (your philosopy when it comes to teaching students)


Your dream band (how would you build your ideal band, or are there any artists in particular you would like to work with) *


Road story: Your best or worst experience (anything humorous or unusual from a tour or a live date)


Favorite venue (based on how you were treated, acoustics, bandstand, regular dates, etc.)


Your favorite recording in your discography and why?


What do you think is the most important thing you are contributing musically?


Did you know... (something not readily known about you)


The first jazz album I bought was:


Music you are listening to now (list up to five this way: Artist Name - Album Title - Record Label)


Desert Island picks (list up to five this way: Artist Name - Album Title - Record Label)


How would you describe the state of jazz today?


What are some of the essential requirements to keep jazz alive and growing?


What is in the near future? (discuss current or pending projects: new recordings, tour dates, etc.)


By Day (if you have a day job)


If I weren't a jazz musician, I would be a:


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