- Robert Mitchell's Panacea - The Cusp
- Phronesis - Alive
- Compassionate Dictatorship - Cash Cows
- Gerald Clayton - Two Shade
- Kurt Rosenwinkel - Intuit
- Aaron Parks - Invisible Cinema
- Robert Glasper - Double Booked
- Chris Potter - Ultrahang
- The Jamil Sheriff Octet - Backchat
- Emily Remler - East To Wes
- Kenny Wheeler - Music for Large & Small Ensemble
- Saravah Soul - Saravah Soul
- Georgia Anne Muldrow - Early
- Oddisee - West Coast Beats
- Homecut - No Freedom Without Sacrifice
Alex J Watson
Member since 2010.
Profile Views: 4,048
UK based musician, promoter & DJ.
The music is different here, the vibrations are different… Not like
planet earth. (Sun Ra)
I got into jazz by accident. As a kid I never had any real exposure to
it, and as far as I remember I thought jazz was one of those extinct
genres that had died somewhere around the 1940s. Old men listened to
it on Sundays and it smelt dusty. When I was about seventeen years old
a few things happened: A friend with a funk band invited me to his gig, I
got a new guitar teacher and I bought a copy of Kind of Blue.
Bitches Brew was the second jazz album I bought (I liked the front cover)--woah that recording was a real ear opener! I didn't especially love it at the time, I really didn't understand it that was for sure, but I suddenly realized that the term jazz meant a whole lot more. Those two records were so different and I realized there must be a whole load of stuff in the middle for me to discover, in between those two sounds and beyond. That's when I really started listening. Of course sneaking into bars underage to watch and dance to funk bands and catch some jazz solos helped get me hooked too.
A few years on and I've just finished studying a degree in Jazz Performance at Leeds College of Music. I guess I got into it! Aside from trying to improve my jazz chops, I also spend time producing, DJing and promoting events... and the odd bit of writing too.
I was an article editior for AAJ back in 2010.