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Ken Greves
A singer with attention to lyric and dramatic detail and a passion for the Great American Songbook.
About Me
Ken Greves is a passionate interpreter of the Great American Songbook
and a specialist in the music of Harold Arlen.
“Arlen’s music resonates profoundly with my musical sensibilities,”
says Ken. “Arlen considered himself a jazz composer and wanted to be a
vocalist himself. He was unique in that he was unafraid to break out
of the standard 32-bar form.”
Another important influence on Ken was the voice of Judy Garland.
“My fascination with Garland was her uncanny ability to musically
shape a song while acting and telling a story. She demonstrated that a
song has a beginning, middle and end.”
Ken grew up in Nassau County, on the south shore of Long Island, NY.
Neither of his parents were musicians, but they noted early on their
son’s fascination with music, theater, and dance.
“My earliest memories were when I was three” recalls Ken. “My mother
told me that I used to dance in front of the TV, mesmerized by the
sound of Kate Smith singing, ‘When the Moon Comes Over the Mountain.’”
Classically trained as a dancer and actor as well as a singer, Ken
performed in a national tour of Singing in the Rain, played Billy
Lawlor in 42nd Street, appeared as Luther Billis in South Pacific, and
played opposite Nancy Kulp in an English murder mystery comedy. He
sang with the Barry Levitt Trio at Iridium and at Birdland with Jim
Caruso’s “Cast Party.”
Ken Greves made his solo debut as a vocalist in April 2000 at Don’t
Tell Mama with his program, “Who the Hell Is Harold Arlen?!” Shortly
thereafter, he encountered Trudi Mann and her open jazz mic — really
an artists’ salon — and immersed himself in the world of jazz.
“I found that world stimulating in a very different way from my
classical and theatrical roots,” he says.
In April 2006, Ken launched a new Arlen program, “Last Night When We
Were Young — Aspects of Arlen,” at Danny’s Skylight Room in New York
City. Accompanied by the Tedd Firth quartet, this popular show
comprises songs both well-known and rare, from Broadway, Hollywood and
Tin Pan Alley, and explores the many facets of Arlen’s extraordinary
contribution to the Great American Songbook.