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Danielle Freeman
Danielle Freeman’s music is neo-baroque, expansive in improvisation and jazz form.
About Me
“With the poise of an opera diva and an ability to scat like Ella
Fitzgerald, (Los Angeles based) singer Danielle Freeman possesses a
voice that commands attention with beauty and control on her debut,
Dorian. - Mark F. Turner, All About Jazz, December 28, 2010
Danielle Freeman’s music is neo-baroque, expansive in improvisation
and jazz form. It is a unification of opera projection, improvisation
and experimental freedom. She has been described as a forward thinking
vocalist of jazz influence.
She composes for an acoustic bass and voice duo. The duo is an
intimate musical setting of compositions, allowing freedom for the
voice and the bass to interchange harmony, bass figured line and
melody. Improvisational risk, melodic exploration and performing as
acoustically as possible breathe excitement and intensity into each
live performance. Her debut EP, Dorian, primarily an acoustic bass and
voice duo album was released in 2010 featuring Matt Wigton on bass and
Gilad Hekselman on guitar. Her solo vocal album, Una, will be released
winter of 2015.
In addition to performing and writing her own music, Freeman has
performed with the Lyric Opera of Chicago in their 2012 production of
Showboat and their 2008 production of Porgy and Bess. In following a
passion for contemporary opera, she has sung the role of “Jenny” in
Robert Ward's opera, Claudia Legare, at Dicapo Opera Theatre (2005).
She performed the role of “The Frog” in Michael Webster’s, Hell-the
Opera, produced by Beth Morrison Projects. As well, she has toured
with Paragon Ragtime Orchestra for their 2005 production of Scott
Joplin's ragtime opera, Treemonisha. She has performed with the Opera
Company of Philadelphia in their productions of La Boheme and Margaret
Garner, starring Denyce Graves and Angela Brown. She performed the
role of the “Woman” in the Opera Company of Philadelphia’s Porgy and
Bess (2007). In 2007, she has performed a workshop as “Mrs. Trout”
with American Lyric Theater for their newly composed and commissioned
opera the Golden Ticket, based on Roahl Dahl’s Charlie and the
Chocolate Factory. In the spring of 2009, she reprised her performance
of The Golden Ticket, which was presented at Jazz at Lincoln Center.
In 2013, she moved to Los Angeles, where she records and writes vocals
for other artists such as Nosak Music and actively sings background
vocals.
Originally from Phoenix, Arizona, Danielle Freeman holds a Bachelor of
Music in Voice from Northern Arizona University. She is a 2012 New
York Women Composers Organization Seed Grant recipient. She is a
recipient of several collegiate awards such as the Edgar Alan Stone
Award for Vocal Performance and the Audrey Auditorium Award for voice.
As well, she is a proud recipient of Arizona’s Martin L. King Fine
Arts Scholarship.