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Hristo Vitchev
Modern Impressionistic Jazz Guitarist/Composer from Bulgaria/USA
About Me
Hristo Vitchev is an impressionistic modern jazz guitarist and composer from
Sofia, Bulgaria. Now residing in the San Francisco Bay Area, Hristo leads a
variety of modern jazz formations, ranging from duets to quintets. Hristo has
toured nationally and internationally, appearing at some of the most
prestigious
jazz clubs and festivals, and has also performed guitar clinics in Europe and
Japan. He has written more than 270 original compositions, many articles on
jazz
improvisation, and a book on chordal theory and construction entitled Between
the
Voicings: A New Approach to Chord Building for Guitarists. The Hristo Vitchev
Quartet’s 2009 debut album, Song for Messambria (First Orbit Sounds Music)
quickly
received outstanding reviews by the international jazz community and was
selected
as one of the six best jazz albums of 2009 by E-JAZZ NEWS.
“Vitchev’s sophisticated and adventurous work is imbued with shimmering
harmonies
and lyrical improvisations.” – JAZZTIMES MAGAZINE
“Vitchev’s multihued compositions are like impressionistic sound paintings.”
–
JAZZIZ
Bulgaria-born, Bay Area-based guitarist Hristo Vitchev, having firmly
established himself as a gentle giant in the contemporary jazz scene, seems
always willing and able to reinvent himself while holding true to the
integrity of his artistry. – ECM REVIEWS
“Vitchev is a master of the creative musical statement and every phrase and line
that he
plays reeks of innovation. His notes are slender and he casts them in melodies that
arch
and curve like wonderful and timeless architecture. His lines lope and gambol in
dramatic
parabolas as they shape the songs he makes so memorable.” - JazzdaGama
“You just won’t find a jazz guitarist (on the planet) these days who has such
essential communication skills through his fingers.” – Improvijazzation
Nation
Magazine
“Hristo Vitchev may be one of the best kept secrets in jazz today. He is the
epitome of sonic gold.” – DIGITAL JAZZ NEWS
“Hristo Vitchev plays as the cultural end result of his life experiences.
Simply
put, Vitchev plays more so from the heart than he does the head.” – Critical
Jazz
“A richly textured album full of strong melodic and rhythmic ideas and with
some
superb playing throughout.” – THE JAZZ MANN (England)
“Hristo is now looked upon as one today's finest jazz guitarists around the
world.
He’s a creative artist with a strong passion and endless originality. His
music
has magic powers since he can bring listeners’ emotions to a far deeper place
that
few people ever reach.” - Andrea Nardini (The Noodle Chronicle - Shanghai,
China)
As jazz critic Edward Blanco describes: “Vitchev is the newest guitarist to
enter
the national jazz scene and does so with a stunner of a recording in Song for
Messambria, one of the finest debut albums I've had the pleasure of
appraising
this year.”
The record presents a unique blend of ECM-style modern jazz, classical, and
Brazilian tone textures, and showcases the completely unique and masterful
interpretation of the jazz idiom by each one of its members. In late 2009,
Hristo
Vitchev released his second studio album featuring Latin Grammy-nominated
pianist
Weber Iago. The Secrets of an Angel is an impressionistic landscape painted
by the
delightful and graceful conversation between the two instruments
(guitar/piano).
As jazz critic Brad Walseth describes: “On the heels of his impressive debut
recording, Song for Messambria, guitarist Hristo Vitchev returns along with
pianist Weber Iago for a wonderful guitar/piano duet recording - The Secrets
of an
Angel...while the gentle title track shimmers like a glistening iceberg on a
cold
sea. The delightful two-part ‘The Last Pirate” is a highlight - brilliantly
showcasing the exciting romantic bend inherent in Vitchev's music, while the
nostalgic lullaby “Leka Nosht (Good Night)” recalls a faraway youth and
rounds out
this fine release.”
In 2010 Hristo Vitchev wrote a large scale jazz work (The Perperikon Suite)
especially to be premiered at the 53rd Monterey Jazz Festival. This 7
movements
jazz suite is inspired by the ancient Thracian city of Perperikon (located on
the
territory of Bulgaria), and combines orchestral, classical, jazz, and fusion
elements depicting the history and mystery of this enchanting place. The work
marks Hristo Vitchev’s third album and one of his most adventurous and
sophisticated works up to date. For the recording of this project the Hristo
Vitchev Quartet was joined by virtuoso vibraphonist and multi-instrumentalist
Christian Tamburr.
As jazz critic Dan Bilawsky describes: “Shimmering harmonies resonate
throughout
these modern jazz marvels, and the soloists work their way around and through
this
accessible and exciting music with equal measures of taste, technique and
spirit.
Vitchev's pieces are peppered with signpost sonorities and ideas that often
reappear throughout a given song, creating a sense of continuity and thematic
steadiness that develops around individual soloists. While this group ably
establishes its own aural identity, which threads its way through the whole
album,
each movement of the suite has different strengths and a unique sonic
footprint.
Brought to life as a tale of two cities, The Perperikon Suite ultimately
occupies
its own wondrous world within the confines of its jazz borders.”
As jazz critic Brent Black describes: “There is an incredible warmth to
Vitchev's
playing, a fluidity of movement and direction held firmly in place by a
stellar
quintet that provides ample support for the lyrical imagery created on this
release. Aside from the superior sound which almost smacks of a live in the
studio
recording, there is a true working band feel that Vitchev has been able to
obtain.
Vitchev displays an unparalleled versatility moving from the flash of “The
Acropolis” to the more introspective “The Southern City” allowing for a
wonderfully paced recording. The drumming of Joe DeRose creates a special
dynamic
tension on the tune “The Great Hall.” A release that ends far too soon.
Wonderfully crafted, well paced and a sonic tapestry that stands up as well
as any
release for this past year.”
As jazz critic Bruce Lindsay describes: “The music, performed by a terrific
quintet, is beautiful: it captures images not of a city in ruins but of a
city
full of life, of vibrant activity. The Perperikon Suite is an impressive
creation.
Each individual tune is beautifully crafted, but so, too, is the Suite as a
whole.
Vitchev's response to the ancient city is remarkable in both its conception
and
its performance.”
As jazz critic Michael Bailey describes: “Many time motifs are used
throughout
this suite. Tick-tock ascending and descending figures pass as a thread
through
cloth, to hold this musical garment—a coat of many colors—together. Vitchev
achieves this effect with no apparent effort or change in guitar tone or
approach.
Merely by affecting the time signatures, Vitchev makes his magic. The
Perperikon
Suite is soft-spoken and brainy music that exists out of the ordinary.”
As jazz critic Brad Walseth describes: “The new songs are the strongest
Vitchev
has written yet, and the addition of Tamburr serves to take the music to an
even
higher level. Vitchev, meanwhile, continues to impress the listener with his
addictive blend of jazz with touches of classical, Brazilian and Eastern
European
influences in both his playing and songwriting. In lieu of visiting the
legendary
site yourself, listeners are urged to take a musical journey to the ancient
location as seen through the senses of Hristo Vitchev and shared with you
through
his highly satisfying musical presentation.”
As jazz critic Ed Blanco describes: “Hristo Vitchev and his inspirational
quintet
provide an all-new experience on The Perperikon Suite, a concept album that
is
accessible, creative and a pleasure to spin often.”
In 2012 Hristo embarked on yet another musical chapter of his life. Heartmony
is
the long awaited and highly anticipated follow up to the first duet recording
by
the guitarist and pianist Weber Iago (The Secrets of an Angel). As the title
of
the record will suggest, Heartmony explores a truly intimate, honest, and
emotional conversation between the two instruments. The music, which
transports
you from impressionistic landscapes to folkloric tales and from melancholic
memories to meditative trances, is simply the purest harmonious sounds
Vitchev has
put on tape up to date. Straight from the heart, healing energy that will
embrace
you long after you listen to it.
“An absolutely wonderful recording.” – JAZZTIMES
“If ever there were a marriage between classical music and jazz then this
Heartmony is it. Hristo Vitchev and Weber Iago have created a very special
experience.” – Grady Harp (Amazon.com)
“Both on and off the bandstand, Vitchev is an artist who wears his emotions
on his
sleeve. His new “Heartmony,” a duo session with his frequent collaborator,
Brazilian pianist Weber Iago, provides a master class in the way a chord or
harmonic progression can evoke a flood of sensations.” – Andrew Gilbert (San
Jose
Mercury News)
“Guitarist Hristo Vitchev and longtime collaborator, pianist Weber Iago, have
created a work of sublime musicality with Heartmony. Exquisitely lyrical,
although
a bit too sweet, this opus brings together multiple musical influences into a
coherent and cohesive, multilayered narrative, the momentum of which does not
slack from the first few notes to the very last. Vitchev and Iago interweave
long
musical threads into a shimmering soundscape of serene beauty.” – Hrayr
Attarian
(All About Jazz)
As jazz critic Brent Black describes: “Heartmony is a sonic mosaic pieced
together
from heartfelt feelings and emotions carried through time and communicated in
an
incredibly heartwarming and emotional presentation that exemplifies the zen
concept of less is more perhaps as well as any recording of the last decade.
The
musical sound of one hand clapping. Vitchev and Weber's music transcends the
more
traditional jazz idiom in much the same fashion that their recorded work here
is
that of a more cohesive unified voice with subtle shadings, lyrical swells
and the
textured nuances that creates music that is to be experienced. An incredibly
beautiful artistic statement of personal experience.”
“Guitarist Hristo Vitchev and pianist Weber Iago sounds like a perfect match
in a
musical heaven, if such things exist. What I’m saying here is that this is a
duet
album that sounds perfect, music made from the heart and soul. There’s
warmth,
there’s care, and there’s a human quality to this that no machine can
replicate,
and it is that Heartmony that makes this a powerful album worth listening to
repeatedly.” – John Books
As jazz critic Dan Bilawsky describes: “The eleven originals are all musical
offerings from the heart and soul, but this isn't a one-dimensional recital.
Some
songs are full of life and positive energy, while others have a sense of
regret
and nostalgia sewn into their being, but they're all painted in sharp, vivid
colors, thanks to the skills of both artistic practitioners at play.”
“This set of guitar-piano duets is quietly emotional, always intriguing and
quite
original. Vitchev’s clear toned guitar blends in perfectly with Iago’s
powerful
piano and the two musicians often seem to think as one. Heartmony is quite
thought
provoking and well worthy of many close listens. Highly recommended.” – Scott
Yanow
“Vitchev and Iago play together with the assurance born of long and fruitful
collaboration. They know each other well, and it shows in the skillful way
they
complement each other. They take a beautiful melody and run with it. They
wring
every bit of emotion out of it. There are passages in a composition like
“Memories
in Black and White,” nocturnal moments in “The Last Leaves which Fell in
Fall,”
that sound like they could have been written by a nineteenth century Polish
Romantic. Then there are moments in the same songs where there are glints of
French Impressionists.” – Jack Goodstein (blogcritics.com)
“Hristo Vitchev is a gifted composer and master guitarist whose stylish
approach
to the music makes him a hidden wonder of the jazz world. Heartmony is an
intelligent musical statement and gentle follow up to his previous works, a
relaxing soulful musical experience sure to touch a piece of your heart.” –
Ed
Blanco (E-JAZZ NEWS)
In January 2013, Hristo Vitchev released “Familiar Fields” – his 5th record
as a
leader (and his 2nd quartet recording). The music presented in this session
clearly displays the multidimensional tonal evolution of the band and each
one of
its individual members. The addition of drummer extraordinaire Mike Shannon
to the
quartet establishes a portal to new sonic landscapes and emotions to be
explored
in this collection of 9 original pieces by the guitarist. The music, which
takes
the listener through the realms of impressionistic, classical, jazz,
experimental,
and new age, always retains the unique sonic footprint that has brought
critical
acclaim to the quartet all over the world.
“Vitchev paints a vivid pastoral landscape with epic sweep, often recalling
the
big-sky sound of Pat Metheny. Obviously, these musicians are more than
comfortable
with one another, as one delicate solo seamlessly segues into another.” –
JAZZIZ
“Once again Vitchev has produced an immaculately crafted, often supremely
beautiful album.” –
The Jazz Mann (England)
“If Pat Metheny and Larry Carlton are considered the kings of impressionistic
jazz
guitar, then certainly Hristo Vitchev is a crown prince and ready to lead a
palace
coup. In fact, “Familiar Fields” easily stands equal to even their greatest
albums. Part of the reason for that has to be credited to Hristo’s choice of
musicians in the quartet. The musical affinity and effortless grace shines
forth
on this album like few recordings I have ever heard. They share a single
heart and
mind that bursts forth in illumination on every track. There is no weak
moment or
weak player on this album.” – Travis Rogers (JAZZTIMES)
“Over the past few years, Bulgarian-born, Bay Area-based guitarist and
composer
Hristo Vitchev has consistently crafted music of great lyrical beauty. With
his
self-named quartet or quintet, or in duet with pianist and frequent
collaborator
Weber Iago, Vitchev has advanced a sound that manages to sound intimate and
epic
at the same time. He does so again on Familiar Fields (First Orbit Sounds),
his
latest recording with his quartet, which welcomes new member Mike Shannon on
drums. As he has on previous recordings, Vitchev makes use of classical
imagery
and narratives in song titles such as “The Prophet’s Daughter,” “The Mask of
Agamemnon” and “Wounded by a Poisoned Arrow,” the last of which is our
selection.
Vitchev’s instrumental voice bears echoes of the tonal warmth and big-sky
sweep of
Pat Metheny, as he and Iago, his beyond-simpatico musical compatriot, switch
off
on leads, riding the rolling hillocks of rhythm provided by Shannon and
acoustic
bassist Dan Robbins. Shannon proves an exceptional addition to the group,
responding to and driving his companions in equal measure.” – JAZZIZ
As jazz critic Hrayr Attarian describes: “Bulgaria-born and San Francisco-
based
Vitchev has established himself as a modern day troubadour. His enchanting
and
fantastical tunes have the feel of medieval ballads abundantly peppered with
futuristic sounds. His sixth release, Familiar Fields, presents nine
impressionistic originals that showcase his maturing compositional skills as
well
as the superlative, improvisational talents of his working quartet. With each
album Vitchev's oeuvre ripens and becomes more sophisticated without losing
its
delightfully spirited edge. Familiar Fields not only stands on its own merit
as
sublime music but also whets the appetite for what is yet to come.”
“Familiar Fields is a highly intelligent, thought-provoking Impressionistic
escapade.” – Nicholas Mondello (All About Jazz)
“This release is a clear statement from an artist comfortable with who he is
and
where he is going. There are no absolute truths in music but instead there
are
shades of gray which Vitchev and his quartet fill in with the precision of a
surgeon and the soul of a true artist. Never caught up in the academics of
his
works, Vitchev instead conducts a sonic exploration with the end result being
a
release that gives up something new with each subsequent spin. An ebb and
flow
unmatched, or perhaps unlike Vitchev, an ebb and flow that other artists
simply
can not match. As close to perfect as it gets!” – Brent Black
(CriticalJazz.com)
“The Hristo Vitchev Quartet, ladies and gentlemen, is in peak form. They have
no
competition: no other music in the jazz idiom is quite as satisfying.” –
Grady
Harp (Amazon.com)
“The musical bond between guitarist Hristo Vitchev and pianist Weber Iago is
as
strong as that of Chick Corea and Gary Burton, with proof being their two
sublime
duet recordings, The Secrets of an Angel and Heartmony, as well as three
small
group sessions under Vitchev's name. For the Familiar Fields quartet date
with
regular bassist Dan Robbins and new drummer Mike Shannon, Vitchev chose nine
gems
to play from his vault of more than 270 original compositions. As usual, as
one
listens to Vitchev's music, the words lyrical, impressionistic, spiritual,
and
passionate come to mind, and also Vitchev's term heartmony, which he
defines as
the simultaneous combination of feelings and emotions, especially when
produced by
experiences, memories, and stimulations pleasing to the heart, body, and
soul. –
Scott Albin (JAZZTIMES)
“The emotional essence of any Hristo Vitchev recording can be seen before
it’s
heard via the distinctive oil paintings the guitarist creates for his CD
jackets.
Vitchev’s artwork for Familiar Fields is impressionistic, haunting and
autumnal,
the same qualities that characterize his latest collection of tunes. The
foursome’s interplay is highly intricate, resulting in emotive tunes that wax
and
wane in intensity. Whether you call it post-bop or post-fusion, Vitchev’s
brand of
jazz is passionate and ethereal. He has developed into a formidable guitarist
and
intelligent composer, and since he’s only 32 years old, his best work may be
yet
to come.” – Ed Kopp (Jazziz)
“Within Vitchev’s tone and technique, it’s not difficult to hear the
influences of
Wes Montgomery, Pat Metheny and Lee Ritenour. He is adept at the full range
of
extended techniques but is most often described - justifiably - as an
impressionist.” – Karl Ackermann (All About Jazz)
“Of the many attributes that Bulgarian (San Francisco based) guitarist Hristo
Vitchev possesses - refined technical abilities, warm tonality, and
expressive
soulfulness - his gift to convey beautiful stories through intricate
composition
is always at the heart of his appeal.” – Mark F. Turner
In October 2013, Hristo Vitchev released his 6th album as a leader. Rhodopa
is a
beautifully crafted sonic pairing of the extremely emotional and lyrical
Bulgarian
folklore and the multidimensional and deeply textured world of modern jazz
harmony. On his new music journey, the guitarist is joined by virtuoso
Bulgarian
clarinetist Liubomir Krastev.
As jazz critic Dan Bilawsky describes: “Hristo Vitchev and Liubomir Krastev
cover
everything from the mystical to the mournful and the grim to the gleeful on
this
absorbing duo date.”
“Hristo Vitchev takes improvisational music to a third dimension of texture
you
can feel. Rhodopa is my selection for album of the year for 2013. Critically
acclaimed guitar virtuoso Hristo Vitchev started the year with the release of
the
highly regarded Familiar Fields. With Rhodopa, Vitchev has now assumed his
rightful place as a global virtuoso of unrivaled talent and ability. As
artistically gifted as he is technically proficient, Hristo Vitchev moves to
the
head of the pack with this stellar outing.” – Brent Black (CriticalJazz.com)
“Hristo boldly departs from the group setting and gives the audience even
more of
what they crave - soulful arrangements and virtuosity with heart. There is a
beauty and an elegance that comes through on each and every one of Hristo
Vitchev's recordings. The music he composes, the arrangements he crafts, the
musicians that he assembles together and the dignity and reverence of his
musicianship speak of the heart of the man and his love of life.” – Travis
Rogers
(JAZZTIMES)
As jazz critic Hrayr Attarian describes: “The warm, poetic tunes are like
fairy
tales in verse. They are imbued with nostalgia, and shimmer with a variety of
muted colors and sentiments. Krastev's softly undulating tones waver against
Vitchev's vibrating strings in a spiritual celebration of abstract beauty.
This
thematically unified work is a genre bending, elegant and satisfying opus and
a
new high for Vitchev who continues to excel himself on each fresh release.”
“Modern jazz guitarist, pianist and composer Hristo Vitchev always refreshes
the
ear and the soul with his inordinately sensitive, mesmerizing, and beautiful
approach to music. He is unique - and artist who explores every avenue of
approach
to both folk music and jazz and the result is an experience that simply no
one
else can match.” – Grady Harp (Amazon.com)
“With Rhodopa, guitarist/composer Hristo Vitchev and clarinetist Liubomir
Krastev
meld musical minds, dive exuberantly into an array of earthy Bulgarian folk
material and come up with four hands of beauty. The result is a panoply of
aural
color, emotion, and technical artistry.” – Nicholas Mondello (All About Jazz)
As jazz critic Ed Blanco describes: “Rhodopa is an instrumental serenade of
Bulgarian folklore music interpreted by a world-class guitarist and
clarinetist.
Hristo Vitchev and Liubomir Krastev deliver an enchanting and relaxing escape
from
reality with a fifty-three minute encounter of soul-reaching music.”
“You just won’t find a jazz guitarist (on the planet) these days who has such
essential communication skills through his fingers. With Liubomir’s reeds,
they
form a cultural jazz experience that can’t be compared with anything else!” –
Dick
Metcalf (Improvijazzation Nation Magazine)
In January 2016, Hristo Vitchev released In Search of Wonders. The highly
anticipated
double album by the
impressionistic Hristo Vitchev Quartet marks the 7th release as a leader for the
internationally acclaimed
guitarist. The new compositions and sonic textures explored here, catalog the
evolution
of this award winning
group over the last decade, and present a sound and style that is completely
unique and
truly identifiable with
the quartet. For the recording of this project the group decided to first take the
music on
the road all around the
world, and let each piece evolve night after night, letting it settle naturally and
effortlessly
into its final shape
and place, which you can now experience on this marvelous release.
Beautiful. Complex. Aerial. Solid. Listening to guitarist Hristo Vitchev is like waiting
for
blessings, and watch
them as they come rushing in to the soul, making it brighter. - Esther Berlanga-
Ryan
(Jazz Journalist)
“Vitchev and Singh (Iago) seem to be telepathically linked, their phrasing and tones
completely compatible, as heard on the album’s title track, our selection. Where
one mind leaves off and the other begins is difficult to ascertain, as they eloquently
converse, trading solos and comps, while Robbins and Shannon beautifully anchor
and fluidly propel the proceedings.” - JAZZIZ
As jazz critic Grady Harp (Amazon.com) describes: For those who have discovered
the
compositions and artistry
of Bulgarian American Hristo Vitchev, congratulations! This new recording is a gift
to you.
For those who have
yet to experience the manner in which this gifted guitarist and composer brings a
new
vitality and globally
significant response to jazz, this is as fine an aperitif as any of his six CDs. The
sound we
hear here is a
mysterious mixture of classical line, jazz technique in approach, new age, and
experimental/spiritual - blended
in a manner that is immediately recognizable as the sound of Hristo Vitchev -
Impressionism.
“In Search of Wonders is more than one-hundred minutes of diverse, accessible
and
engaging music. As he has long been, Vitchev is beyond proficient in his array of
techniques while remaining an overall impressionist; both being characteristics he
shares
with Singh. At their improvisational best, Vitchev and Singh are like two streams of
thought at a confluence; each bringing their own charisma and exquisite style to a
place
that enhances both players and conveys—as the title suggests—a sense of wonder
to
the listener.” – Karl Ackermann (All About Jazz)
“Original world-tinged modern jazz delivered in the same creatively unique style
this
guitarist,
is known for. Intellectual, soul-searching, harmonically-rich and thoroughly
enchanting.” -
Edward Blanco (All About Jazz)
“Vitchev is a prolific and talented composer with a rare gift for melody, a quality
that he
shares with the great Pat Metheny. Vitchev’s writing is melodic, intricate and
sophisticated with each piece telling a story, this is music with a strong narrative
arc and
an almost cinematic quality.” – Ian Mann (TheJazzMann.com)
“Vitchev plays in a very lyrical and somewhat ambient style reminiscent of Pat
Metheny
and
Steve Khan, with the elegance of Joe Pass.” - Music Connection Magazine
As jazz critic Scott Albin describes: “This two-CD set is perhaps Vitchev's finest
recording to
date, featuring as it does 12 more lyrically resplendent tunes by the prolific
composer,
played
by a group whose cohesiveness, commitment, and artistry continues to grow and
flourish. The
centerpiece remains the rapport between Vitchev and Iago, rivaling that of such
pairings
as
Jim Hall and Bill Evans, Julian Lage and Fred Hersch, and Gary Burton and Chick
Corea.”
“My favorite guitar/piano team since - and heretically, including Pat Metheny and
Lyle Mays. The symmetry and synergy of these four is remarkable and almost-
telepathic. The musicianship and artistry, with a heart full of love, has brought forth
an album that speaks from the soul to the soul and we are made better by the
hearing from a soul such as Hristo Vitchev.” - Travis Rogers (The Jazz Owl)
“Few guitarists have carried the torch of Pat Metheny so humbly as Hristo Vitchev,
and never with such brightness of purpose as on his latest quartet album, In
Search Of Wonders. The Bay Area-based musician and producer has since 2009
put out a consistent, top-flight catalog of records, ranging from explorations of his
Bulgarian roots to straight-ahead jazz road trips, but always by original design.
With Wonders, he has at last tackled that most risky of studio ventures: the double
album. The result is not only a magnum opus, but his most emotional work so far.”
- ECM REVIEWS
“Vitchev has become one of the truly great contemporary jazz guitarists. There is
such
rare
elegance and subtlety in his playing. He has established a graceful, exquisite style
that’s
essentially unique. And this album is, indeed, filled with wonders.” - Paul Freeman
(PopCultureClassics)
On top of leading his own quartet, quintet, duo projects, and co-leading the
group
SEVA, Hristo Vitchev also co-writes and plays guitar with Joe De Rose and
Amici -
an energetic jazz/fusion formation lead by drummer Joe De Rose. Hristo
Vitchev has
appeared on countless radio shows/programs all around the world.
Hristo has also performed in world-class jazz venues and festivals including
the
11th JARASUM INTERNATIONAL JAZZ FESTIVAL (Gapyeong, South Korea), 2015
Hong
Kong
International Jazz Festival (Hong Kong), 2015 Beishan International Jazz Festival
(Zhuhai,
China), JZ Club (Shanghai, China), T-Union Jazz Club (Guangzhou, China), Yoshi’s
Jazz
Club (Oakland, CA), 2015 Mercedes-Benz SLO JAZZ FESTIVAL (San Luis Obispo,
CA),
Once In A
Blue Moon Jazz Club (Seoul, South Korea), All
That
Jazz (Seoul, South Korea), B Flat Jazz Club (Tokyo, Japan), Kei Jazz Club (Tokyo,
Japan),
Kobe
Modern Jazz Club (Kobe, Japan), Jazz Club Analog (Hamamatsu, Japan), Into The
Blue
Jazz
Club (Machida City, Japan), Bach Dancing and Dynamite Society (Half Moon Bay,
CA),
Kuumbwa Jazz Center (Santa Cruz, CA), Anthology (San Diego, CA), Catalina
Jazz
Club (Hollywood, CA), The Jazz Corner (Hilton Head Island, SC), Heidi's Jazz
Club
(Cocoa Beach, FL), Alvas Showroom (San Pedro, CA), The Jazz Station (Eugene,
OR),
Egan's Ballard Jam House (Seattle, WA), Timucua White House (Orlando, FL),
Ivories
Jazz Club (Portland, OR), The Herbst Theater (San Francisco, CA), SOhO Jazz
Club
(Santa Barbara, CA), as well as major jazz festivals including the 53rd
Monterey
Jazz Festival (Monterey, CA), 2009/2010/2012/2013 AT&T San Jose Jazz Festival
(San
Jose, CA), 2010 and 2012 Redwood City “Jazz on Main” (Redwood City, CA),
Okazaki
Jazz Festival (Okazaki, Japan) and many more.