Ellen Johnson’s knowledge of the jazz world is a result of her combined thirty years experience as a professional recording artist, educator, songwriter, journalist, and publicist.
From: United States |
Profile Views: 1,832
Ellen has performed, recorded and studied with many exceptional musicians including; Charles McPherson, Louie Bellson, Bobby McFerrin, Sheila Jordan, Jay Clayton, Don Braden, Willie Pickens, Roy McCurdy, Billy Drummond, Cameron Brown, Rick Helzer, John Clayton, Gene Aitken, Hugh Martin, Marni Nixon, and George Shirley. She has appeared nationally and internationally at many prestigious venues, past and present. Described by Jazz Journal International Magazine as “superior jazz singing by an artist of the highest quality,” Ellen has three solo jazz CDs: These Days, Chinchilla Serenade and Too Good To Title. These Days, called “one of the best albums to be heard from a no-nonsense jazz singer” (Downbeat) and a “sophisticated and successful album that raises the standard of modern jazz singing by at least one notch” (All About Jazz), features a duet with legendary vocalist Sheila Jordan. In 2006 jazz journalist and producer, Arnaldo DeSouteiro, selected Johnson as one of the top three jazz vocalists of the year along with Dianne Reeves and Diana Krall. Ellen, known for her dedication to the vocal music of Charles Mingus, premiered Mingus and Beyond, in San Diego and as part of the Wahya Consort concert performance during the 2011 Ojai Music Festival activities.
In the 1980’s Ellen formed the company Vocal Visions promoting and producing jazz recordings and music instructional products, including her own educational publications, The Warm Up CD, Vocal Builders and You Sing Jazz. She has published lyrics to the Sonny Rollins well known composition, “St. Thomas” and three Charles Mingus compositions: “Peggy’s Blue Skylight,” “Nostalgia In Times Square” and “Noddin Ya Head Blues.” In 2002 Ellen received a best jazz composition award from Just Plain Folks out of 100,000 songs submitted for her original wordless composition “Chinchilla Serenade.”
That same year she co-founded and became the president of the Jazz Vocal Coalition, the first jazz singers collective non-profit organization that provided promotion, education, support and social networking to jazz singers throughout the United States with chapters in Los Angeles, New York and Minnesota. Ellen has worked within the music industry as a publicist and promoter through her own company, Sound Visions Media, where she has gained visibility for artists, authors, businesses and non-profit organizations. Serving as the jazz editor for Singer and Musician Magazine she also promoted jazz singers through her written articles and interviews that included jazz luminaries like Nancy Wilson, Jon Hendricks, Tierney Sutton and Andy Bey. She is currently working on a biography of the life of Sheila Jordan and writing recording reviews for JazzHistoryOnline.com and various other blogs and publications. With a long history of writing poetry, Ellen has recorded her poems in the past in collaboration with music and was a guest poet during the Ojai Poetry Festival in 2009 premiering Voices and Visions.
Her other professional ventures include recording for jingles, film scores, and other projects not to mention collaborating with the great songwriter, Hugh Martin, who wrote, “I’m at a loss for words to praise your voice. It deserves adjectives that haven’t been invented yet regarding its beauty of tone, range, and perfect intonation.” She has been a featured soloist for many performances of Duke Ellington’s Sacred Concerts filling the shoes of soloist Alice Babs so well that even the late Stanley Dance commented how good her renditions were in comparison. Ellen’s versatility contributed to her winning a finalist slot in the American Traditions Vocal Competition where she performed jazz, musical theater and classical renditions of songs for a prestigious panel of judges that included Della Reese, Charles Strouse, William Warfield, and George Shirley among others.
Johnson’s own education includes; a Master’s Degree in Vocal Performance from San Diego State University, BM in Vocal Performance from the American Conservatory of Music, course work towards a PhD from the University of Humanistic Studies, UCLA Extension courses in the Music Business Certificate Program and she has been on the voice faculties of the University of San Diego, the Old Globe Theatre’s MFA program, California Polytechnic University Pomona and has given master classes in vocal jazz at the University of Southern California as well as many other colleges. She served as a panelist and guest speaker for music industry and vocal conferences that included a variety of industry professionals and artists such as: Alan Paul (Manhattan Transfer), Jon Hendricks, Mark Murphy, Kurt Elling, Don Braden, Kitty Margolis, Dr. Hans Von Leden, Derek Sivers, Jeffrey Weber and others. She was a keynote speaker on the “Art Song of Duke Ellington” and “The Art Song of Jazz” for the National Association of Teachers of Singing (NATS) international conferences, past president of the San Diego Chapter of NATS, and the California vocal jazz representative for the International Association of Jazz Educators (IAJE).
Her research, studies on music healing, creativity and certification in expressive arts therapy inspired her to complete training with Eric Maisel to become a Creativity Consultant and teach workshops on “Using Vocal Improvisation To Encourage Creativity.” She is currently working on a new project targeted around the creative process to be release sometime in 2013. The project, Form/formless, is a recording that features renowned guitarists Larry Koonse and John Stowell.