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Mary Bogue
Singing With The Big Boys...& Sometimes They Happen To Be Women!
About Me
Blues Queen Barbara Morrison made Mary Bogue one of her Blues Mamas,
and Les McCann says,“When Mary Bogue opens her mouth, ain’t no one
else like her. Her voice is beautiful.” Linda Hopkins, the mega-
talent, heard Mary sing one of her old songs, and told folks, “She
sang that better than I did! You were bluesy and wonderful, and you
sang it nice and slow.” “CabaretScenes Magazine” reviewer Elliot
Zwiebach said, “Mary Bogue is hot…a kind of throw back to the red-hot
mamas of another era who could belt with the best of them and then
pull back and score on a solid heartbreaker of a song.” He called her
next performance electrifying and her- sassy and sexy. When hearing
the final master, McCann called Mary and told her, “You know me. If I
thought you made a good CD, I would say, you made a good CD. If I
thought you made a great CD I would tell you that too. So listen to
me, Baby, this CD, is a real mother------, you made a masterpiece.
Yes, yes, yes!”
Mary Bogue’s first memory of music traces back to her family’s upstate
New York home, sitting on the floor over the record player with her
favorite 78 LP, “The Naughty Lady Of Shady Lane.” Later, while her new
California neighbor kids listened to surf music, Bogue’s next
milestone was courtesy of Dave Brubeck’s “Take Five.” Then Cozy Cole
on “Topsy Part Two” which took her on a journey of no return. As a
pre-teen, for Mary it was all about this stuff called jazz, R&B and
Motown. And while Paul McCartney was okay in her books, he didn’t
compare to Smokey Robinson.
But how did she start making music? Mary will tell you she began
singing around the L.A. scene near 2006 or 2007. There were Bogue’s
saucy shows, “Mary Bogue & Her King-Sized Papas” at Nola’s and the
Hollywood Studio Bar & Grill, another called “Boudoirs, Bordellos &
The Blues”, and even a holiday show at Vitello’s in Study City. She’s
no stranger to film, TV work or art exhibits either. But all of this
was way after she married a way cool guy who came and went – making 20
years look like a shooting star. When the dust settled on their once-
shared dreams, she clawed her way back from grief and found joy again,
this time with her voice telling the story. “Hell, I didn’t just sing
‘Heartbreak Hotel,’ I was a resident,” says Bogue.
Fast forward to 2012 and her debut CD, “Don’t Go To Strangers,” which
delivers her unrequited passion, with killer arrangements played by
L.A. pianists Karen Hernandez and Steve Rawlins. Trumpets beckon at
the call of Nolan Shaheed, Rickey Woodard makes for a cool groove;
and viola and cello voices assure you it’s okay to stay a little
longer in your reflection of yesterday, before producer Steve Rawlins
moves you on down the road.
When asked how she selected what to sing, Mary says, “I wanted to
evoke nights gone-by on the title track, to closing time at a NY bar
with “Blue Champagne” I wanted to make music that you play during
freeway time and somehow end up way down the road, inspires you on
date night, and consoles you when you just need to hear the blues
because life ain’t always so easy.”
Just when you think you’ve heard it all, you’ll discover old-time
friend Les McCann - who was not only the Creative Consultant on this
album, but joined Bogue on “Hot, Strong and Black.” And when all is
said and done, maybe you will “Save Your Love For Me,” says Mary.
My Jazz Story
Sometimes I feel like the luckiest woman ever, having admired the great icons of jazz and never dreaming that I would share the stage with them, or that they would play on MY CD. I remember looking out from the stage at Vitello's and seeing Les McCann in MY audience, and wondering if you told me when I first met him in 1980 that one day he would be on my CD, what I would have said or thought. Never give up your dreams. In fact, share them so they manifest that much quicker, and by all means, love big.