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James Hurt
Composer, Percussionist, Pianist, Educator, Researcher, Sound Designer, and Living Artist
About Me
James Hurt, born on May 8, 1967 in
Memphis, Tennessee in the historic Orange
Mound Community, credits his mom for his
early exposure to blues, jazz, and
soul
music. James became dedicated to the
drums by age twelve. At age fifteen, James
auditioned as a percussionist and was
accepted into Watkins Overton High School
of the Creative and Performing Arts. At age
sixteen James did his first session as
a
recording engineer. Musically, James is
genre bender who approaches music as a
journey in sound.
Though James studied percussion while
attending TSU, his harmony,
counterpoint,
form and analysis and applied piano
instructor Dr. Donald Barrett, Oberlin
Conservatory Alumnus, attempted to switch
his focus to piano. Barrett exposed
him to the classical piano literature of
Bartok, Prokofiev, Ginastera, Liszt, Chopin,
Gershwin, Legeti, and Rachmaninoff. James
graduated Summa Cum Laude with a
Master of Science Degree in Computer-
Based Music Education yet was
determined to pursue creative music
further.
James moved to New York City by train in
1994 and gained a lot of press in a
short amount of time by conducting,
composing, and performing as a pianist in
several bands nightly with his unique
sound and spontaneity. Rashid Ali, Antonio
Hart, Russell Gunn, Gregory Tardy, and
Abraham Burton enlisted James
simultaneously. James served as guest
conductor and arranged for both the Tess
Marsalis Swing Daddies at the Iridium and
the Jason Lidner Big Band at Smalls.
As a pianist James played in the Oliver
Lake Big Band at the Knitting Factory in
New York City, and on electronics, laptop,
and keyboards in Butch Morris’s Nublu
and Lucky Cheng Orchestras. Since 2008
James has performed with Adam
Rudolph’s Moving Pictures Ensemble and
Go Organic Orchestra as a
percussionist.
As a recording artist James can be heard on
such labels as Atlantic, Impulse,
Motown, High Note, Fresh Sounds,
Innerscope, Reservoir, Enja (Germany),
Polygram Polydor (France), Red Records
(Italy), Pi Records, Sony Music (South
Africa), Small Records (NYC), DreamWorks
Records and Adam Rudolph’s Meta
Records. In 1995 Bruce Lundvall signed the
Sherman Irby Quartet after hearing at
their Smalls Jazz Club late night residency.
Afterwards James recorded and
released Dark Grooves Mystical Rhythms
on the Blue Note Records label in 1999.
James recorded on Grammy nominated
albums for Antonio Hart (Here I Stand),
Abbey Lincoln (Wholly Earth), and Russell
Gunn (Ethnomusicology Vol. I). James
co-created and presented the first hip-hop
band to play at the Blue Note Jazz
Club
in New York City under the group name the
“Real Live Show”. MTV2 placed
Shop Rockin’ and Come Back in their
rotation from their CD Class is in Session.
James secured placements for both HBO
and FORD ad campaigns. Throughout his
career James has shared his talents with
several creative artists including Louis
Hayes, Eric Wyatt, John Ore, Butch Morris,
Adam Rudolph, Francis Mbappe,
Dominick James, Greg Tate, Joseph Bowie,
Donald Byrd, Q-Tip, M.C. Special Ed,
Vernon Reid, Melvin Gibbs, Corey Glover,
Rudresh Mahanthappa, Soul Live, DJ
Logic, J.D. Parran, Vijay Iyer, Essiet Essiet,
Eric McPherson, Meshell
Ndegeocello, Reggie Washington, George
Porter Jr., Bernie Worrell, Maceo
Parker, Buster Williams, J.T. Lewis, Wil
Calhoun, Jeff Tain Watts, Pheron Aklaff,
Sarah Morrow, Kim Thompson, Nikki
Glaspie, Brandon Ross, Pete Cosey, David
Gilmore, Oliver Lake, Sam Newsome,
Waddada Leo Smith, Nels Cline, Sherman
Irby, Arto Lindsay, Mark Kelly, Gregoire
Marett, Taurus Mateen, and Nasheet
Waits. The foundation crafted by Mr. Hurt
can be heard in several emerging artists
of today’s creative music scene.
James gives lessons privately and through
New School University’s Jazz
Department relative to music theory and
spontaneous improvisation.
James received a grant through the New
York State Council for the Arts to present
an evening of new program music entitled
Audio Cinema at the Jazz Gallery as
part of the Meet the Composer series.
James equally enjoys live performance,
sound design, education, and research.
Creativity is the driving force behind James
Hurt’s artistry.
© 2014 James Hurt. All Rights Reserved.
My Jazz Story
Jazz is perhaps the most unique platform for self-expression to be employed by everyone from every walk of life in the history of humankind.