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Lyman Woodard

Lyman Woodard was born March 3rd, 1942 in Owosso, Michigan and started his formal musical training at age four on the piano. In 1962, he attended the Oscar Peterson School of Contemporary Music in Toronto, Canada. After hearing a performance of the great Jimmy Smith in 1963, he was convinced that this was his future and he made the switch from piano to the Hammond B3 organ. Lyman formed the first Lyman Woodard Trio in 1965 along with fellow musicians Melvin Davis on drums & vocals and Dennis Coffey on guitar. Since the early 60s, the Detroit music scene has been largely defined by the music of Motown Records. The Motown "music machine" spawned many great R&B talents and from 1970 though 1973, Lyman got the opportunity to be a part of this heritage by landing the position of musical director for Martha and the Vandellas. By 1974, he was anxious to have his own band again and reformed the Lyman Woodard Trio with fellow musicians Leonard King on drums and Ron English on guitar, thus beginning his long standing association with the percussionist who appears with Lyman on his latest release. Later that year he expanded his band by adding alto saxophonist Norma Jean Bell and percussionist Lorenzo Brown, and changed the name to the Lyman Woodard Organization. For the next 11 years, the "Organization" played the clubs and venues of the midwest, changing members occasionally and opening shows for artists such as: Billy Paul, MFSB, Bob James, the Jazz Crusaders, Gil Scott Heron, Herbie Hancock, Tito Puente & his Latin Jazz Ensemble and James "Blood" Ulmer. The Lyman Woodard Organization disbanded in the late 1980s. Most recently, Lyman has again reformed his "Trio", consisting of long time friend Leonard King on drums & vocals and guitarist, Robert Tye. The trio has been a popular act at the 1994-98 Montreux Detroit Jazz Festivals, and has opened there for artists Bill Doggett and one of Lyman's early influences, Jimmy Smith. The Lyman Woodard/Jimmy Smith booking was part of a show billed as "The Battle of the B3s" which also included organists Charles Earland, Jack McDuff and Joey DeFrancesco. The '96 Montreux festival performance has become Lyman's latest release on Corridor Records, "Live at the 1996 Montreux Detroit Jazz Festival". The trio have since performed at the Frog Island Jazz and Blues Festival and opened for Booker T. & the MGs.

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Album Review

Various Artists: John Sinclair Presents Detroit Artists Workshop

Read "John Sinclair Presents Detroit Artists Workshop" reviewed by Chris May


Valuable as both a curated chronicle of jazz history and as high-grade music, John Sinclair Presents Detroit Artists Workshop: Community, Jazz And Art In The Motor City 1965—1981 comprises around 70 minutes of live recordings by some of Detroit's finest sons along with an informative 24-page booklet. Among the musicians are trumpeters Donald Byrd and Charles Moore, reeds player Bennie Maupin and, resident in the city in the mid 1960s, pianist Stanley Cowell. The backstory: The Artists ...

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386

Obituary

Lyman Woodard,a Detroit Jazz Scene Legend, Dies at 66

Lyman Woodard,a Detroit Jazz Scene Legend, Dies at 66

Source: JazzStage Productions

"Don't Stop the Groove" wasn't just the title of one of organist Lyman Woodard's best records. It was the immutable truth at the core of his being, the philosophy that transformed his live performances into four-alarm parties. Woodard, who died Tuesday at Owosso Memorial Hospital at age 66, was a stalwart on the local jazz scene for decades. But he really hit his stride in the 1970s, when his band, the Lyman Woodard Organization, took up residence at Cobb's Corner, ...

Music

Recordings: As Leader | As Sideperson

John Sinclair...

Strut / Art Yard
2022

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Live at 1996 Ford...

Corridor Records
1998

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