The BusI recently drove into the Big Apple to see singer Kate McGarry's band celebrate the release of their Girl Talk CD (Palmetto, 2012) at the Jazz Standard. It was a stressful drive, given the rush-hour timing and need to watch for idiots steering two tons of metal with their knees as they text Wassup?" to their friends.But when I finally reached the club, I came upon a legal parking place, right there on the street. ...read more
Eliane Elias Dizzy's Club Coca Cola New York, New York Wednesday, January 23, 2008
The other night at Dizzy's Club Coca Cola, high above the whirling traffic of Columbus Circle, there was a full moon and a full house as the Eliane Elias Trio played in support of their Bill Evans tribute CD, Something for You (Blue Note, 2008).
The innovations of pianist William John Evans ...read more
Driving down to see McCoy Tyner at the Blue Note, listening to his Grammy-nominated Illuminations along the way, I wondered what new thing I could possibly say about this jazz icon. Of course the CD is terrific, as already documented on AAJ, and I knew his performance would be masterful. I figured I could always discuss the difference in the band -- it would be Billy Cobham and Stanley Clarke that night, rather than the CD's constellation of Gary Bartz, ...read more
Michel Camilo's Grammy-winning Live at the Blue Note has already been thoughtfully reviewed by two of my AAJ colleagues ( Franz Matzner and Joel Roberts ). Both of them note Camilo's virtuosity and classical roots, using words like dazzling" and astound[ing]" to describe his performance. In concert, all of this applies, with added dimensions of personal warmth and visible energy, as well as material that did not appear on the CD.
On September 29, 2004, this included the ...read more
These guys are a hoot. On first hearing Frank & Joe's debut CD on Hyena Records, 33 1/3 , I e-mailed Joe that very thought, and he wrote back, what is this 'hoot'?" I said it refers to something that's fun and delightful, like their CD. Turns out it's also a hoot to watch The Frank and Joe Show" itself, as I did recently at Sweet Rhythm, where it's been running for months every Sunday night. The band that evening ...read more
One reason I enjoy researching my Nite & Disks is that I get a fuller sense of what the artists are up to, since there can be a considerable difference between the archived and live versions of the same material. Sometimes it's due to various playing conditions: more or less tension, the visit (or absence) of the Muse, the moods and events of the day, the producer's opinions, the receptiveness (and manners) of the audience, a player's toothache, the quality ...read more
I just love a band that grins. Like Whitney Balliett, I see jazz as the sound of surprise -- preferably a delightful one -- and I don't believe that serious music has to be made with long faces. Banda Brazil was grinning like mad the other night at the Cornelia Street Cafe, even though the six of them were crowded together on a tiny stage. In fact, two of them were actually off it, squeezed into the packed house that ...read more
One of the primo advantages of living near New York Cityï"aside from having a front seat at the Rudy and Hillary showï"is the infinite range of jazz venues. I've climbed up to the boxes in Carnegie Hall and the nosebleed seats at the Y, and down the vertical steps to the underground Village Vanguard. I've been knee-to-knee with stone-faced tourists in the Blue Note (aka the C Note, in honor of its cover charges), where they arguably serve the worst ...read more