Was Buddy Rich really the world's greatest drummer"? The answer to that speculative question is debatable, of course, and opinions may vary, as they no doubt do on what kind of a person (or persons) he was when not weaving his particular brand of magic behind a drum kit. Buddy's remarkable talents as a drummer and his ambivalent and often volatile nature were the twin focus June 1 of a spectacular Buddy Rich alumni reunion and concert at the KiMo Theatre in Albuquerque. The idea for the reunion was first broached to trumpeter Bobby Shew, an Albuquerque ...read more
Betty and I returned to Albuquerque on Memorial Day after attending Swingin' on a Riff, the latest in a series of marvelous semi-annual events presented by Ken Poston and the Los Angeles Jazz Institute for more than twenty years at venues in and around L.A. This one was held May 23-26 at the Los Angeles Marriott Airport Hotel. The music ranged from very good to spectacular, with seventeen world-class concerts by some of the finest ensembles and musicians you're likely to hear anywhere, exemplifying its secondary title, Big Band Masters of the 21st Century." The concerts were supplemented by four ...read more
As the countdown continues toward the last Big Band Report in June, the time has come to point fingers and name names--in other words, to compile a short list of contemporary jazz musicians who have risen above the norm to help make life more pleasurable for one devoted listener. These are, mind you, personal choices, and the list is far from inclusive; while some of the names may be new to you, rest assured they have earned their places. You may notice that no guitarists or bassists are named, and there's a reason for that: most of them sound about ...read more
Suppose a month goes by, you have a column to publish, but nothing has happened that's worth writing about. What do you do then? Read on, as the question is about to be answered. A while back there was a discussion at a Stan Kenton web site (Kentonia) about musicians or groups of musicians (more specifically, soprano saxophonists) playing out of tune, either occasionally or frequently. My response (entirely personal) was as follows: Well, there is obviously something wrong with my ears, and I suppose that's a blessing, as most of the soprano solos ...read more
With Betty sidelined by a bad cough, it was up to me to seek out local jazz events in February, and I managed to find a couple of pretty good ones, starting February 7 at the University of New Mexico's Keller Hall where SuperSax New Mexico performed for the third time in Albuquerque. As you may know, SuperSax NM is patterned after the highly popular West Coast group formed in the early '70s by Med Flory and Sonny Clark and devoted to the music of Charlie Parker, specifically his classic solos, rearranged and played by a full sax section. It's ...read more
One of the channels that came with my Dish Network package is Classic Arts Showcase, which is a treasure trove of film clips documenting classical, ballet, folk, pop and other forms of music that one is unlikely to see anywhere else (although some footage is presumably available on YouTube, which more and more seems to encompass almost everything musical and beyond). When there is nothing else of interest to watch (which, alas, is much of the time), I sometimes press the remote control buttons for Classic Arts and can usually count on seeing something that is at least historic and ...read more
Dave Brubeck wasn't really a big-band kinda guy; in fact, he was seldom seen in groups larger than four or five. On the other hand, he was an extraordinary musician, one whose influence will no doubt be felt for generations to come. Brubeck, who remained active almost to the end of his life, died December 5 in Norwalk, CT, one day before his ninety-second birthday. The particulars of Brubeck's long career are well known, so there's no need to dwell on them here. He was the last surviving member of the Dave Brubeck Quartet, which reanimated small-group jazz in the ...read more
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