Album Review
Ben Patterson Jazz Orchestra: Groove Junkies
by Dan Bilawsky
Groove junkies searching for a fix need look no further. Mainlining this music--a hard-hitting big band set that satisfies as it soars--offers a serious high. With a pen and mind untrammeled by norms and expectations, and a tight crew of musical compatriots bringing stentorian sound and vision to his book, trombonist-composer Ben Patterson delivers the goods and then some. Patterson's positively electric take on saxophonist Chris Potter's well-titled “Exclamation" offers fireworks at the front end of the ...
read moreJeremy Pelt: Tomorrow's Another Day
by Jack Bowers
Trumpeter Jeremy Pelt, a force on the jazz scene for more than two decades, simply does his own thing on Tomorrow's Another Day, the twenty-fourth album as leader of his own groups, inviting any interested listeners to come on board for the ride. Pelt's thing these days apparently includes an abundance of special effects, reverb, heavy (and at times intrusive) rhythms, leavened with occasional flashes of the remarkable improviser he can be and often is. To help ...
read moreGustavo Cortinas: Live in Chicago
by Hrayr Attarian
Chicago composer and drummer Gustavo Cortinas is a musician with a message, one of social justice. He delivers it in a style that fuses the melodic sensibilities of his ancestral Mexico with the complex syncopations of jazz. The exciting Live in Chicago documents an unedited, two-set concert that was recorded at Constellation Chicago on December 15, 2022. The quintet interprets ten Cortinas originals, some of which appeared on his magnum opus, the multifaceted and provocative Desafío Candente (Woolgathering, 2021).
read moreCecil Taylor Unit: Live At Fat Tuesday's February 9,1980 First Visit
by Chris May
More faux-intellectual codswallop has been written about Cecil Taylor than about any other jazz musician, dead or alive. He has been, and continues to be, misrepresented as an arcane Einsteinian theorist by a cult whose members are afraid of visceral reactions to his art (or to anyone else's). But Taylor's work demands a visceral response. It has nothing to do with rational thought and everything to do with emotion and physicality. Sadly, the nonsense that has been written about his ...
read moreIan Carey: Strange Arts
by Jack Bowers
Wood Metal Plastic is a septet that consists of a jazz quartet (trumpet, alto saxophone, bass, drums) and three-member string section presided over by San Francisco Bay area-based trumpeter Ian Carey, who wrote and arranged the material on his seventh album as leader, Strange Arts. It was recorded as a tribute to Carey's father, the innovative visual artist Philip Carey, who died in 2022. Aside from Carey, those in the quartet are alto Kasey Knudsen, bassist Lisa ...
read moreMarco Baldini: Maniera
by John Eyles
When Marco Baldini's first ever album, Vesperi (reviewed here), was released by Another Timbre in 2023, its arrival was not exactly awaited with bated breath. Born in 1986, near Florence, Italy, Baldini had no degree in music or composition and had not studied with an established composer. He had attended university, where he studied Roman archaeology, specialising in the iconography of early Christian sarcophagi. He worked as a public librarian in a village in the hills surrounding Florence. His only ...
read moreDominik Schürmann: The Seagull's Serenade
by Richard J Salvucci
Insularity is a funny thing. With globalization on everyone's mind--one way or another--it is ironic that parochialism affects the fine arts in any important way. It is not as if Pablo Picasso or Gustav Mahler were merely local celebrities. In classical music, composers have long been peripatetic figures--think of G.F. Handel, as likely regarded as British as he was German. And celebrated figures are nothing today, if not international. And yet--it is only an impression--jazz seems a bit different. Of ...
read moreSun Ra: At The Showcase (Live In Chicago, 1976-1977)
by Troy Dostert
Describing the music of Sun Ra is always challenging--perhaps even more so when it is documented on a live recording. A case in point is this offering from the Jazz Detective label, a substantial slice of Ra taken from two concerts at Chicago's Jazz Showcase in the mid-'70s. It can be dense and opaque, even impenetrable at times. But it also swings mightily, with a generous big-band sound which should appeal to all but the most close- minded jazz listeners. ...
read moreEmpirical: Wonder Is The Beginning
by Chris May
London's Empirical quartet, which first recorded in 2007 as a quintet, has had a steady lineup since 2009's sophomore album, Out 'n' In (Naim): Nathaniel Facey on alto saxophone, Lewis Wright on vibraphone, Tom Farmer on double bass and Shaney Forbes on drums. A stable lineup has given the group a certain consistency of sound, though a changing cast of featured guests has bounded it somewhat. That practically all the tunes the group plays are originals contributes to the consistency. ...
read moreFederico Chiarofonte: Underbrush
by Neil Duggan
Underbrush is the first project led by drummer and composer Federico Chiarofonte. The title is appropriate as it alludes to the undergrowth from which biological forms emerge, as well as a secure space where concepts can flourish. Those natural world elements are also reflected in many of the track titles, all eight of which were composed by Chiarofonte. Chiarofonte is among those imaginative drummers who take on leadership and compositional roles as well as their role as rhythm ...
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