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THE VINYL POST

Louis Armstrong & The All Stars: Complete Newport 1956 & 1958

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It's interesting how time seems to serve an artist when offering a better perspective of a particular time period or body of work. Such is the case with Louis Armstrong. Critics often cite his earliest recordings as the be all and end all, as if he had never recorded another note past 1950. In fact, Armstrong was still a few years away from his 60th birthday when he was captured on tape at Newport doing what he did best-interacting with an audience. This new four-LP set brings together Armstrong's complete performances as heard at the Newport Jazz Festival ...

BOOK EXCERPTS

On Highway 61: Music, Race, and the Evolution of Cultural Freedom

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The following is an excerpt from the “Spirituals to Swing" chapter of On Highway 61: Music, Race, and the Evolution of Cultural Freedom by Dennis McNally (Counterpoint Press, Berkeley, 2014). Danny Barker, who in the 1930s was Cab Calloway's guitarist, told a particularly revealing story of working at the Nest Club, a Harlem after-hours joint. Business would be dead when the doorman buzzed three loud rings to indicate that they had prospects coming. The band would strike up “Oh, Lady Be Good," the waiters, all smiles and movement, would start beating on their trays, and the unsuspecting ...

LIVE REVIEWS

Glen David Andrews at the Rockwood Music Hall

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Glen David Andrews with special guest Henry Butler Rockwood Music Hall New York, NY June 18, 2014 Glen David Andrews is a showman--pure and simple. He thrives in the spotlight. Shine a spotlight on the man and he comes alive. He is a force of nature, and one to be reckoned with. He has been described as over-the-top. In many ways that's an understatement. He is over-the-top. He is pure energy. He has charisma. He has stage presence. He also has a pedigree. His cousins are Trombone Shorty and James Andrews. His older brother Derrick ...

THE CLUB CAR

All Smiles on Hilton Head Island

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Fly, drive, bike or walk, if you can, to The Jazz Corner on Hilton Head Island in South Carolina. But make reservations first or you may be going home early. This intimate jazz and blues club is booked solid every night weeks in advance, and I do mean every night. So it's been for 15 years, an incredible feat by owners Bob and Lois Masteller. The club, with its well-planned sound system and sightlines for all 100 seats, was named by DownBeat one of the top 150 Great Jazz Rooms in the World in 2011, '12 , '13 and again ...

CD/LP/TRACK REVIEW

Kidd Jordan & Hamid Drake: A Night In November - Live in New Orleans

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Hard to believe, but A Night In November--Live in New Orleans is the first drums / saxophone duet recording by legendary New Orleans free jazz saxophonist and educator Kidd Jordan. He's accompanied by a true kindred spirit, Hamid Drake. Though both have made names for themselves in the rarefied world of free improvisation, neither are shy about their roots in more traditional forms of jazz, blues, soul, and R&B. Jordan, now almost 80 years old, is a remarkable figure whose music has only been properly documented since the late 1990s. In an interview with Ted Panken, published in Cadence Magazine ...

BOOK REVIEWS

Jazz. New York in the Roaring Twenties

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Jazz. New York in the Roaring Twenties Robert Nippold, Hans-J├╝rgen Schaal 144 ISBN: 3836545012 Taschen 2013 The period in the 1920's America is known as the Jazz Age, the Golden Twenties or the Roaring Twenties. The history books say that this decade after the WWI was a prosperous one, where the nation's total wealth nearly doubled in between 1920 and 1929 which resulted in an unprecedented expansion in industry, technology and consumerism. It was the great writer F. Scott Fitzgerald who actually coined the term “Jazz Age" said of the 20s “The ...

CD/LP/TRACK REVIEW

Kidd Jordan/Alvin Fielder/Peter Kowald: Trio and Duo in New Orleans

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Tenor saxophonist Edward Kidd Jordan and drummer Alvin Fielder have been a fixture in their southern outpost for nigh on forty years, but they've rarely been heard to such good effect as on Trio and Duo in New Orleans. This wonderful two CD set brings together music from three separate dates. The first disc (also available as a double LP) comprises a 70-minute exchange between the American pair and hugely talented peripatetic German bassist Peter Kowald in April 2002, five months before his untimely death, while the second marries a 2005 studio session from the Americans, with an excerpt from ...



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