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CD/LP/TRACK REVIEW

Yosvany Terry: Yosvany Terry: New Throned King

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Yosvany Terry is part of the new wave of young Cuban players who have come to these shores during the last decade and established a solid presence based on their artistry and virtuosity. What has distinguished Terry from his counterparts, however, is that while most of the Cubans are either pianists or drummers, his instruments of choice have been the alto and soprano sax. In the meantime, Terry, who is the scion of one of Cuba's musical first families, Los ...

EXTENDED ANALYSIS

The Caribbean Tinge: Live from Dizzy's Club Coca-Cola

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Ever since the jazz was created in the clubs and dancehalls of New Orleans, there was always a significant influence from the Caribbean region, specifically from Cuba. The island, which was just a ferry ride from the port city, had such a significant effect on the development of the music that Jelly Roll Morton always spoke of the importance of Afro-Cuban based rhythms (the Spanish Tinge) in creating and performing this nascent music. However, it was the arrival of a ...

INTERVIEWS

Bobby Sanabria Spreads The Latin Jazz Gospel

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Drummer, percussionist, composer, educator, Bobby Sanabria has gained renown and respect from fans and musicians alike as one of the foremost proponents of what is labeled Afro-Cuban/Latin Jazz. Born and raised in the South Bronx, Sanabria performed with a veritable Who's Who in the world of jazz and Latin music, as well as with his own critically acclaimed ensembles. His diverse recording and performing experience includes work with such legendary figures as Dizzy Gillespie, Mario Bauzá, Tito Puente, Paquito D'Rivera,, ...

CD/LP/TRACK REVIEW

Ralphe Armstrong: HomeBASS

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There must be something in the jny: Detroit water, because the Motor City has probably produced more bass players per capita than any other American city. Not only in sheer numbers and variety, but also in terms of musical style and innovation. While Paul Chambers and Ron Carter would suffice for a locale in terms of civic pride, the city can also claim Motown session man James Jamerson as well as second generation players Robert Hurst and Rodney Whitaker.

LIVE REVIEWS

Branford Marsalis Quartet at Max Fisher Music Center

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Branford Marsalis Quartet Max Fisher Music Center Detroit, MI October 11, 2013 The Branford Marsalis Quartet is arguably the best small unit working in jazz these days, as proven by the performance of the BMQ in Detroit. This concert was the opening event for the superb jazz series presented by the Detroit Symphony Orchestra. The emcee for the concert just happened to be renowned trumpeter and (Marsalis home-boy) Terence Blanchard, who ...

LIVE REVIEWS

Detroit Jazz Festival 2013

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Detroit Jazz FestivalDetroit, MIAugust 30-September 2, 2013You have read the news and heard the stories on radio and TV. Detroit is bankrupt and going into ruin. However, Gretchen Valade definitely doesn't appear to believe the hype, as she managed to fashion the Detroit Jazz Festival (DJF) into one of the largest, most star-studded musical parties in North America, with four stages scattered all over downtown Detroit over the Labor Day weekend.In 2012, newly-appointed artistic director ...

INTERVIEWS

John Santos: Keeper of the Culture

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In a career spanning almost 40 years, percussionist John Santos has gained world-wide renown and acclaim as one of the great composers and bandleaders in the Afro-Cuban jazz idiom. The four-time Grammy nominee is one of the foremost proponents of Afro-Latin music in the world today, known for his innovative use of its traditional musical forms and instruments. Santos has performed, recorded and studied with acknowledged Afro-Latin and Jazz masters such as Cachao,Dizzy Gillespie, Tito Puente, Bebo Valdés, Armando Peraza, ...

CATCHING UP WITH

Poncho Sanchez: Mambo King

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For over 30 years, conguero/bandleader Poncho Sanchez has been the premier proponent of West Coast Latin Jazz. Growing up in Norwalk, California, Sanchez was exposed to and influenced by two very different styles of music: Afro-Cuban music and bebop, as well as R&B. Originally a guitarist, Sanchez taught himself the flute, drums, and timbales before finally deciding to pursue conga playing in high school. In 1975, Sanchez's idol, vibraphonist “Cal Tjader invited him to perform with his band. Sanchez played ...



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