Whether considered a member of Generation X or Y, saxophonist/multi-instrumentalist/composer and bandleader Daniel Bennett's career certainly is indicative of how many young artists' careers are ascending with the advent of the internet. But Daniel has a measured cynicism towards balancing live performance with the wonders of tech. Moreover what is also refreshing about this young musician is his candor. He readily admits to being very raw when his career began in earnest only a few years ago, ...read more
Chris McNulty emigrated to New York City, from her native home in Melbourne, Australia, in 1988. Since then she's released five recordings, with Waltz For Debby (Discovery, 1991) first introducing the Australian singer to American audiences. On that record, she wrote what would ultimately become the official, published lyrics to Miles Davis' classic Blue in Green." Since 2004, she has released three records on Elefant Dreams, the independent label she shares with her husband, guitarist Paul Bollenback. Both Dance Delicioso ...read more
Since moving to New York City in 1975, one-time bassist/painter Patrick Brennan has crafted a musical path that is open in its candor and indebtedness to all facets of black music. Much like trumpeter Wadada Leo Smith, the alto saxophonist brews a thicket of his own distinct musical language that unlike much contemporaneous vanguard music is built specifically upon the potentialities of swinging and polyrhythm." For the astute lay person this means moving the expressive expansiveness of ...read more
Geography is a central theme in the life and artistry of Pittsburgh's native son, Don Aliquo. The saxophonist, educator and bandleader is part of a rich steel town jazz lineage which includes his father, Don Aliquo Sr., a performing artist and teacher in his own right. There is also a metaphorical geography, in which Aliquo covers virtually all aspects of the jazz experience, from daunting mainstream swing to edgy, modernistic genres. All About Jazz: As a Professor ...read more
John Coltrane once said, Let the music speak for itself." The guitarist/composer and band leader Christopher Jentsch adds an interesting twist on that subject by opting to describe himself when asked about the broader subject of how to capture his music in his own words. I think of myself as a composer/guitarist working with contemporary improvisational forms on the fringe of jazz, but jazz that is inclusive of rock/pop, world music and classical genres. I also strive generally for a ...read more
[Introduction by Teddy Charles]
It's not easy to be Chris Byars. With an incredible array of talents brought to bear on his composition, arrangements, and cooking jazz performances, it's no wonder he's worked his way to the forefront of the myriad of jazz players overwhelming the scene.
For me, our felicitous association led to multiple gigs and recordings. Dances with Bulls (Smalls Records, 2009) updates some of my old concepts, resulting in some daring explorations; a great recording.
Inspired by ...read more
Bassist/composer Lindsey Horner recently said, I think one thing that has really changed in the past quarter century is that the music has become so broad, so truly international and genre-encompassing that the days when jazz was one very definable, finite thing are well and truly gone." These remarks also serve to introduce this interview with the Australian trumpeter Scott Tinkler. The recent emergence of a small cadre of Australian jazz artists has yet to gather the notice of, say, ...read more
Philadelphia performance artist Skip" Homer Jackson recently asked my opinion about a number of jazz artists who have been overlooked because they were great stylists who played in the shadows of great players. I immediately thought of Booker Ervin in relationship to John Coltrane; and Booker Little, who ironically was little (no pun intended) appreciated during the 1960's era of stellar jazz hornmen. In the back of my mind too, was the multi-instrumentalist/band leader and composer Michael Marcus.
The following ...read more