Recent Articles


The Freedom Principle: Jazz after 1958

by John Litweiler Da Capo Press (New York, 1990)

Despite an original publication date of almost 15 years ago, Litweiler's exposition of the history, methods, intentions, and personalities associated with free jazz from its inception remains a useful introduction to this music. Free jazz remains anathema to many musicians and listeners, and is rarely heard on the radio, but it has persisted, reflecting the survival of an impulse towards emotional expression, spiritual purity, and aesthetic freedom in the face of its marginalization. Withal, free jazz has become another flavor in the bag of tricks which younger musicians collect ...


Dance of the Infidels: A Portrait of Bud Powell

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Dance of the Infidels: A Portrait of Bud Powell Francis Paudras 355 Pages ISBN: # 0-306-80816-1 Da Capo Press 1998 We should all have a friend like Francis Paudras, who nursed the great pianist Bud Powell back to health after rescuing him from an abusive caretaker. This story, presented in loose fashion some years ago in the movie “Round Midnight," is the subject of Paudras' book, published in translation here for the first time, twelve years after its original French publication. Paudras, whose own life ended tragically through suicide in the past ...


Too Marvelous For Words

by James Lester Oxford University Press (New York, 1994)"

Too Marvelous For Words: The Life and Genius of Art Tatum" by James Lester; published by Oxford University Press (New York, 1994). The man behind those extraordinary pianistic flourishes was a somewhat shadowy figure, but James Lester has brought him into the light with a wealth of research and reminiscences. The many small stories which make up this telling of this life, which was largely successful on its own terms, make a fascinating tapestry, reanimating not just the pianist but also the milieu in which he flourished. In addition, ...



Read "MONK"

by Laurent de Wilde Marlowe & Company (New York, 1997)

This is a biography with the flavor of a novel. Lacking any of the scholarly apparatus customary in a historical work -- no index, footnotes, bibliography, discography, or acknowledgments -- it nevertheless imposes a knowing and occasionally stylish sensibility on its treatment of the seminal jazz composer and pianist Thelonious Monk (1917 - 1982). To a large degree, though, it is less a biography than a meditation on Monk's life and music.The facts are there, though: Monk's youth in the mid-town Manhattan neighborhood which now boasts ...


Notes And Tones: Musician To Musician Interviews

by Art Taylor Da Capo Press (1993)

This slightly expanded edition of Taylor's 1982 publication of these striking interviews with jazz musicians known to both millions or only to their colleagues and fans, provides unusual insight into the techniques, attitudes, preoccupations and personal histories of some extraordinary personalities. Taylor, a percussionist held in the highest esteem by his peers since the early '50's, was in many respects an ideal interviewer: a master drummer who had made music with many of his subjects and had experienced the same social and economic struggles. There is little feeling of inhibition in ...


Dexter Gordon: A Musical Biography

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by Stan Britt Da Capo Press (New York, 1989)

Although there's plenty of fascinating material in this show-biz biography of the great master of bebop tenor saxophone, it's so permeated with gush and hyperbole that it requires some tolerance to sift through it for Gordon's story. The details are there, though, from his upbringing in Los Angeles as the son of a physician who died when Gordon was 12, his mingling with other young or established musicians in the Central Avenue scene, work in the bands of Lionel Hampton, Louis Armstrong, and various smaller groups in Los Angeles ...


The Face of Black Music

by Valerie Wilmer Da Capo Press (New York, 1976)

Wilmer is both a photographer and a journalist, the author of a sympathetic study of free jazz, “As Serious As Your Life." In “The Face of Black Music" the emphasis is less on jazz than on the range of African-American musics from the blues and the church through jazz, with only classical music (composers, operatic singers, instrumentalists) omitted.Wilmer's obvious affection for her subjects was reciprocated by opportunities for photographs of extraordinary intimacy. Photographs in the band bus, the dressing room, or the loft complement those of performances, ...

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