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Zoot Sims And The Gershwin Brothers

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Zoot SimsZoot Sims And The Gershwin BrothersOJC1975/2013 The Concord Music Group inaugurated their celebration of the 40th anniversary of Norman Granz's Pablo Records with the releases of John Coltrane: Afro Blue Impressions (Pablo, 1963/2013) and Sarah Vaughan-- Sophisticated Lady: The Duke Ellington Songbook (Pablo,2013). These releases are to be followed by an additional five remasters, the first of which, Zoot Sims And The Gershwin Brothers, is considered here. ...

CD/LP/TRACK REVIEW

Zoot Sims: With Bucky Pizzarelli

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This Zoot Sims-Bucky Pizzarelli set of duets is now 33 years old but there's nary a sign of cobwebs here on a session in which the mutual pleasure of these two pros is happily apparent. If it contained only their bossa-flavored take on Michel Legrand's “Watch What Happens," it would be well worth the price. As it begins, just a deft sprinkling of Pizzarelli's notes opens a path through which flows a generous outpouring of Sims' shimmering warmth. But before ...

CD/LP/TRACK REVIEW

Jutta Hipp with Zoot Sims: Jutta Hipp with Zoot Sims

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Jutta Hipp proves one of the more curious tales in a music whose history is full of curiosities: She grew up studying jazz piano and painting in her native Germany, then moved to New York City in late 1955. She played piano in and around the city for about a year, including performances documented on two 1956 live albums released by Blue Note.

Jutta with Zoot was recorded later in '56 and produced by Blue Note founder Alfred ...

CD/LP/TRACK REVIEW

Jack Kerouac with Al Cohn and Zoot Sims: Blues And Haikus

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I discovered jazz and Jack Kerouac at roughly the same time in my teens back in the early 1970s, when his seminal novel On The Road (Viking, 1957) hooked me into the bohemian world of jazz clubs, intense friendships and the never ending highway under wide open skies described in its pages.

It barely mattered that the quick fluid prose in which this hedonistic manifesto was rolled up in didn't always make sense--it was all about feeling something ...

EXTENDED ANALYSIS

Zoot Sims and the Gershwin Brothers

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Zoot Sims Zoot Sims and the Gershwin Brothers Pablo/OJC 1975

The beauty of jazz is there are always older recordings to be discovered and rediscovered. Zoot Sims and the Gershwin Brothers is one of these recordings. Long hailed as one of Sims's finest recordings, it was not until recently that it crossed my path. Everything in print was accurate. The recording is a blissfully successful bit of musical alchemy.

Recorded ...

CD/LP/TRACK REVIEW

Zoot Sims with the Joe Castro Trio: Live at Falcon Lair

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This loose-limbed rendezvous sounds exactly as it was, an impromptu late-night jam session planned on the fly in someone’s apartment—in this case, however, no ordinary apartment but “The Playhouse,” a spacious second-story room above a garage and adjacent to the main house at Falcon Lair, the imposing Beverly Hills estate then owned by tobacco heiress Doris Duke and previously occupied by legendary silent film star Rudolph Valentino. Pianist Joe Castro, who was married to Duke from 1956-64, liked to invite ...

CD/LP/TRACK REVIEW

Joe Venuti/Zoot Sims: Joe & Zoot & More

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One of the more satisfying experiences in jazz is when some long forgotten (except by a few) gems have been unearthed, dusted off and reissued (or issued for the first time0. This CD seems to be a mixture of two - first time issued and reissued sessions coming from the 1970's. Sims and Venuti collaborated for the Chiaroscuro label in 1975. But the first nine cuts on this set are from a September 27, 1973 recording which has been cleaned ...

CD/LP/TRACK REVIEW

Stan Getz/Bob Brookmeyer, Al Cohn/Zoot Sims: Recorded Fall 1961, You

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These two early 60s quintet dates are marvelous, a mother lode of timeless horn artistry. They’re both straight reissues — no alternate takes or unreleased tracks of any sort. The first, originally produced by Creed Taylor, pairs Stan Getz and Bob Brookmeyer, with Steve Kuhn, John Neves, and Roy Haynes in the rhythm section. Three of Brookmeyer’s tunes appear (that’s half the program right there), beginning with “Minuet Circa ’61," a beautiful waltz that immediately establishes the rhythmic and timbral ...



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