Recent Articles

CD/LP/TRACK REVIEW

UDU CALLS/Tiziano Tononi & Daniele Cavallanti with William Parker: The Vancouver Tapes

Read "The Vancouver Tapes" reviewed by

The Vancouver Tapes might have been called The Lost Recordings had drummer Tiziano Tononi not found this recording at the bottom of a chest he stored it in after his appearance with saxophonist Daniele Cavallanti and bassist William Parker. It was their first ever meeting at the 1999 Vancouver Jazz Festival. The instant the trio hits the stage the upsurge of energy is palpable. Nay flute, bells, and the dynamo of Parker's bass ignites the two lengthy sets. While the Milanese musicians Cavallanti and Tononi were long time collaborators, recording the original duo Udu Calls (Splasc(h), 1996), in ...

CD/LP/TRACK REVIEW

Borah Bergman/Kidd Jordan/William Parker/Michael Wimberly: Vita Brevis

Read "Vita Brevis" reviewed by

Vita Brevis represents maverick pianist Borah Bergman's last session before his death at age 85 in 2013. In the liners label boss Joe Chonto speculates that Bergman suffered from undiagnosed Aspberger's syndrome. As such it's perhaps not a surprise that he found his niche in outsider music--the jazz avant-garde. However his musical ability was never in doubt, given his remarkable facility to simultaneously pursue separate lines at length with each hand. On this date he's surrounded by other elder statesmen of the scene capable of following the pianist wherever he roams. NOLA saxophonist Kidd Jordan's uncompromising career stretches ...

EXTENDED ANALYSIS

Jeff Cosgrove: Alternating Current

Read "Jeff Cosgrove: Alternating Current" reviewed by

"Playing music is like doing heart surgery," bassist William Parker told interviewer Radhika Philiip in Being Here: Conversations on Creating Music (Radio.org, 2013). “Every time you hit a note, someone's life is on the line, and so you can't fool around." Serious intent and intense focus are the cornerstones of these playful dialogues between Parker, drummer Jeff Cosgrove and pianist Matthew Shipp. A similar approach is also recommended in approaching this music--background noise it ain't. Drummer Andrew Cyrille--to whom the title track is dedicated--is the link between the three musicians, having taught Cosgrove and collaborated with both Shipp ...

EXTENDED ANALYSIS

Wood Flute Songs: Anthology/Live 2006-2012

Read "Wood Flute Songs: Anthology/Live 2006-2012" reviewed by

A box set that includes over nine hours of one musician's output could be considered indulgent. Indulgent yes, unless that musician's last name is Parker. Certainly the family of Parker we're talking about includes the bebop innovator Charlie Parker, free jazz saxophonist Evan Parker, and jazz padrone William Parker . The latter Parker is a bassist, band leader, writer, poet, spokesman, and a weather vane that points listeners and musicians to the new directions of jazz. This release is his third box set and it follows a 3-CD set of solo performances Crumbling In The Shadows Is Fraulein ...

CD/LP/TRACK REVIEW

Ivo Perelman / Matthew Shipp / William Parker / Gerald Cleaver: Serendipity

Read "Serendipity" reviewed by

Currently in the midst of an unprecedented mid-career renaissance, wildly prolific tenor saxophonist Ivo Perelman has been recording for Leo Records at a frantic pace, typically issuing several new albums at a time. Released concurrently with The Edge and The Art of the Duet, Volume One is Serendipity, a title that bears out its namesake. Taped in the winter of 2011 during what was originally intended to be the session for The Foreign Legion, a bass-less trio date with Perelman's regular collaborators pianist Matthew Shipp and drummer Gerald Cleaver, this unplanned quartet effort with legendary bassist William Parker is a ...

CD/LP/TRACK REVIEW

William Parker Orchestra: Essence of Ellington

Read "Essence of Ellington" reviewed by

Talk to any member of the so-called avant-garde, and what is immediately apparent is a deep familiarity and love of the tradition. That's not to say that there is a desire to replicate: almost the opposite. New York City bass icon William Parker first began listening to Duke Ellington when he was seven years old. One thing he learned was not to imitate but to find his own way in music. And that comes through in spades on this double album recorded in concert in Milan in early 2011. With a cast which reads like New York's Vision Festival on ...

EXTENDED ANALYSIS

William Parker: Centering - Unreleased Early Recordings 1976-1987

Read "William Parker: Centering - Unreleased Early Recordings 1976-1987" reviewed by

William ParkerCentering: Unreleased Early Recordings 1976-1987No Business Records2012Nobusiness Records has been building up to this monumental, six-disc cache of unreleased early recordings by bassist William Parker for some time. The Lithuanian label's unsurpassed documentation of the New York City loft jazz era has so far encompassed reissues and never before released material on saxophonist Jemeel Moondoc's Muntu Recordings (2010), Commitment's Complete Recordings 1980/1983 (2010), violinist Billy Bang's Survival Ensemble's Black Man's Blues/New York Collage (2011) and the Freestyle Band (2012). Following in those footsteps, this box set is a high quality production, ...



Sponsor: Summit Records | BUY NOW

Enter it twice.
To the weekly jazz events calendar

Enter the numbers in the graphic
Enter the code in this picture

Log in

One moment, you will be redirected shortly.

or search site with Google