Recent Articles

CD/LP/TRACK REVIEW

Tim Berne's Snakeoil: You’ve Been Watching Me

Read "You’ve Been Watching Me" reviewed by

In the course of his long and prolific career, alto saxophonist/composer Tim Berne has been more of a musical agitator than a mediator. While that's a positive characteristic of Berne's creative process, it is also a demanding one for all concerned. Berne's tenure with ECM, however, has been marked by a more pronounced move toward balancing restorative musical properties to juxtapose very complex structures. The result of Berne's continued growth is You've Been Watching Me, a high point of his ...

CD/LP/TRACK REVIEW

Tim Berne's Snakeoil: You've Been Watching Me

Read "You've Been Watching Me" reviewed by

The music of saxophonist Tim Berne has invariably raised the question: where have you been? His early self-released sessions (collected in the Empire Box (Screwgun, 1999)) from the late-1970s and early 80s gave no quarter to the neo-conservative jazz movement. Signed by Columbia Records (what were they thinking?) he forged ahead with his incendiary vision, only to be dropped by the label. With no desire to be “discovered" only after he had died, he created the quartet, sometimes quintet, Bloodcount, ...

CD/LP/TRACK REVIEW

Tim Berne's Snakeoil: Shadow Man

Read "Shadow Man" reviewed by

Alto saxophonist Tim Berne's Snakeoil is a group that bonds asymmetrical contours into the big picture, where many progressive jazz aficionados often expect the unexpected from this artist who radiates an antithesis to conventional norms. More of the gradual ascensions, tricky time signatures, fractured flows and odd-metered unison choruses come into play on Shadow Man. Berne's neural vibrato lines in tandem with his foil, clarinetist Oscar Noriega ride above complex rhythmic patterns, designed with changeable metrics and alternating discourses. Hence, ...

CD/LP/TRACK REVIEW

Tim Berne's Snakeoil: Shadow Man

Read "Shadow Man" reviewed by

New York-based alto saxophonist Tim Berne has long been regarded one of the Downtown scene's most forward-thinking bandleaders. Among his peers, no other artist has so often fostered the creative talent of subsequent generations; multi-instrumentalist Chris Speed, keyboardist Craig Taborn and drummer Jim Black all spent their formative years playing alongside the veteran saxophonist. Likewise, Berne recently recruited rising multi-instrumentalist Oscar Noriega, pianist Matt Mitchell and drummer Ches Smith as members of his latest project, Snakeoil.Shadow Man is ...

CD/LP/TRACK REVIEW

Tim Berne's Snakeoil: Shadow Man

Read "Shadow Man" reviewed by

When Tim Berne released his ECM debut, Snakeoil in 2012, it quickly garnered some of the best reviews of the saxophonist/composer's career, ending up on a number of year-end best of lists. And why not? With a group already together for a couple years (as Los Totopos), Snakeoil represented a major step forward for Berne, both compositionally and in terms of band concept. All-acoustic, Snakeoil also benefited from label head/producer Manfred Eicher's attention to detail and transparency. Snakeoil, in addition ...

CD/LP/TRACK REVIEW

Tim Berne: Snakeoil

Read "Snakeoil" reviewed by

Tim Berne's previous contributions on the ECM label--guitarist David Torn's Prezens (ECM, 2005) and bassist Michael Formanek's The Rub and Spare Change (ECM, 2009)--represent some of his best work as a sideman. The alto saxophonist's first ECM release as a leader, Snakeoil, not only represents Berne at his best, but also at his most accessible. Berne's quartet consists of outstanding players from the New York jazz scene, all of whom are attuned to Berne's complex free improvisational style of composing. ...

EXTENDED ANALYSIS

Tim Berne: Snakeoil

Read "Tim Berne: Snakeoil" reviewed by

Tim Berne Snakeoil ECM Records 2012 When artists who've already built lengthy careers elsewhere over a period of years (sometimes decades) come to record for Germany's ECM Records, there is occasional trepidation amongst some of their longstanding fans. This is, after all, not just about facilitating the release of recordings; this is a label with a vision, a very personal aesthetic. With over 1,100 titles released across more than four decades, and an expansive ...

CD/LP/TRACK REVIEW

Tim Berne / Jim Black / Nels Cline: The Veil

Read "The Veil" reviewed by

Recorded live at The Stone in New York City on a sweltering July evening in 2009, The Veil is the debut of BB&C (also known as The Sons of Champignon), an acronym for alto saxophonist Tim Berne, drummer Jim Black and guitarist Nels Cline--veteran improvisers with a long history of collaboration. Cline first recorded with Berne in the early '80s, while Black was a member of Berne's revered '90s era Bloodcount quartet. Unfolding as a single uninterrupted long-form improvisation and ...



Trending

Sponsor: ECM Records | BUY NOW


Enter it twice.
To the weekly jazz events calendar

Enter the numbers in the graphic
Enter the code in this picture

Reset password.

Log in

One moment, you will be redirected shortly.
Email Local Jazz Events!

Email Local Jazz Events


or search site with Google