Sometime during the late 1960s, adventurous European rock musicians led by the likes of Gong, Soft Machine, Magma, and Arzachel began incorporating elements of avant-garde jazz, contemporary classical and various ethnic musics into their own original progressive rock music. The result varied somewhat from region to region, but the most important thing was that very little of this hybrid music fit neatly into the existing parameters of fusion music, then known generically as jazz-rock. Sure, there were stacks of analogue keyboards, long virtuosic solos, convoluted and labyrinthine compositions, and numerous appearances by electrified non-rock instruments such as violin, flute, and ...read more
Wrong Object is a Belgian band that has made significant inroads to accomplishing an exalted presence in the jazz-rock and progressive rock communities. The band's sound and strategy encompasses intermittent nods to the fabled British Canterbury progressive-rock scene with inferences to Frank Zappa and jazz-rock extrapolations akin to vintage Soft Machine. Toss in a few Albert Ayler-esque sorties and guitar whiz Michel Delville's psychedelics, and you have the complete package. Best of all, the sextet has developed a patented sound and style. The diverse set includes spunky world-music interludes, outside jazz treatments and scorching movements amid majestic, prog-like escapism. It's ...read more
There's no risk of hyperbole in stating that The Wrong Object come of age over the course of these two discs. Platform One is the earlier of the two and it finds the band in febrile form in the company of esteemed guests trombonist Annie Whitehead and trumpeter Harry Beckett, two players whose efforts have over the years lifted countless British jazz albums onto another plain. In light of this, Stories From The Shed is perhaps a set of greater cohesiveness, but what unites the two albums is their shared attempt to stake out fusion territory that lies well beyond ...read more
If Platform One (Jazzprint, 2007) found Belgium's The Wrong Object on a roll following The Unbelievable Truth (MoonJune, 2007), then Stories from the Shed positions them as one of today's busiest groups. Three records in one year is impressive enough, but Stories is notable because, while the others were collaborations with British jazzers Annie Whitehead (trombone), Harry Beckett (trumpet/flugelhorn) and Elton Dean (saxophone), Stories is TWO sans guests, proving that it can stand just fine on its own.
First coming together as a Frank Zappa tribute band, TWO has long since evolved beyond clever interpretation. While ...read more
Belgium's The Wrong Object is on a roll. An album as strong as The Unbelievable Truth (MoonJune, 2007), documenting a first (and, sadly, only) encounter in 2005 with the late British saxophone legend Elton Dean, would be more than enough for any group in any year. But with Platform One, this intrepid art/rock group teams with another legend--trumpeter Harry Beckett, born in Barbados but a fixture on the British scene since the 1950s--and trombonist Annie Whitehead, who may not be a legend yet, but deserves to be. Recorded live, Platform One isn't necessarily better than The Unbelievable Truth, but it ...read more
Poignant doesn't cover it. This was one of Elton Dean's last gigs before his death and all the qualities that made him such a distinctive voice on alto sax and saxello--his wit, his ascetic, unsentimental lyricism and the like--are caught in abundance and in the company of a band who do a whole lot more than simply provide a framework for his invention.
Millennium Jumble (The Wrong Object)" is a case in point. Dean's saxello work in particular was always marked by a certain leanness, as if he'd gone to the trouble of purging his playing of unnecessary diversions, and ...read more
In the world of improvised music the energy of a first meeting can often be better than when there's been adequate prep time. British saxophonist Elton Dean's collaboration with the Belgium group The Wrong Object wasn't meant to be impromptu. And with Dean and the improvisational jazz/art rock quintet having exchanged scores for the October 18, 2005 performance documented on The Unbelievable Truth, it isn't as if either party had no preparation. But unexpected circumstances scuttled a pre-show rehearsal, so what you hear is literally a first encounter.
The Wrong Object has built a reputation for its astute interpretation of ...read more
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