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CD/LP/TRACK REVIEW

The Geordie Approach: Inatween

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At the risk of pigeonholing The Geordie Approach's music, there's really nothing like a little Noise/skronk/experimental electro/free jazz/pounding post-rock to shake off the cobwebs. The trio's debut album, Why Eye (Bruce's Fingers, 2007) will have deterred the faint hearted with its intense free improvisations, and equally, sucked in more adventurous listeners into the all-enveloping spiral of sound. Inatween picks up where Why Eye left off, blurring the edges of musical genres and raising a standard for collective free improvisation that celebrates textures and layers of sound over virtuosity. In this sense, The Geordie Approach's music perhaps owes less to jazz ...

CD/LP/TRACK REVIEW

The Geordie Approach: Why Eye

Read "Why Eye" reviewed by

The Geordie Approach is an experimental collaboration between Norwegian alto sax/electronics player Petter Frost Fadnes, drummer Ståle Birkeland with Geordie-born Englishman guitarist/ electronics player Chris Sharkey, all proud members of the Leeds Improvised Music Association. All have collaborated with some of the most prominent figures of the fertile music scene in Leeds, UK, including pianist/composer Matthew Bourne and percussionist Paul Hession.

The group's debut album was recorded on Simon H. Fell's French label, Bruce Fingers, with Fell as producer. All seven titles refer to past football heroes of England's premier league and national team, all North-East ...



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