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EXTENDED ANALYSIS

The Bad Plus: The Rite Of Spring

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Calculation and risk, bombast and glory, a complete shunning of expectations, and a penchant for the provocative, percussive and dramatic. It's hard to know if that description is meant to be applied to Igor Stravinsky's most heralded work or the collectively-operated trio known as The Bad Plus; it's hard to make that distinction because it rings true for both. One hundred years separate the premiere of The Rite Of Spring, which caused a riot, and the recording of this album. In the interim, everything has changed and nothing has changed. Listeners still get lulled into and out ...

LIVE REVIEWS

The Bad Plus: Burlington, VT February 16, 2013

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The Bad PlusFlynn Center for the Performing Arts Burlington VTFebruary 16, 2013The Bad Plus' appearance on The Flynn Mainstage illustrated how much progress the trio's made since earlier appearances in the much smaller FlynnSpace. The surprising number of empty seats as the evening progressed hinted the performance bordered on the underwhelming, but that was a passing sensation as the concert progressed.The trio's half-hour jaunt through Stravinsky's “Rite of Spring," though ostensibly the feature of the concert, ended up being simply a precursor to a handful of originals, in which pianist Ethan Iverson, drummer ...

CD/LP/TRACK REVIEW

The Bad Plus: Never Stop

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For the past decade, The Bad Plus has received both praise and criticism for its idiosyncratic approach to jazz-rock. Liberal jazz fans and those who are inclined towards the mainstream but want to dabble in jazz have enthusiastically received the band's modern piano trio reworking of rock standards such as Nirvana's “Smells Like Teen Spirit" and Rush's “Tom Sawyer." Conversely, jazz purists tend to shy away from The Bad Plus and its backbeat-intensive and sometimes bombastic playing.Never Stop is the band's first studio album to offer exclusively original compositions. Although the album often lacks the raw energy of ...

CD/LP/TRACK REVIEW

The Bad Plus with Wendy Lewis: For All I Care

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The recordings of too many contemporary jazz singers teeter precipitously on a cliff overlooking the meandering river of easy listening. Jane Monheit and her ilk sculpt with cake-icing spatulas, decorating standards and new material alike with a thick sheen of creamy frosting. Those who might reasonably lay claim to being the musical descendants of Billie Holiday and Louis Armstrong are, more than likely, singing rock.

With For All I Care, The Bad Plus asks, “What's the difference?" Following on the heels of 2007's acclaimed Prog (Heads Up), Care goes farther afield than the band's previous work, culling music from the ...

EXTENDED ANALYSIS

The Bad Plus / Wendy Lewis: For All I Care

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The Bad Plus / Wendy Lewis For All I Care Heads Up International 2009

If you are The Bad Plus, and you've spent your acclaimed and wacky career dismantling pop and jazz tunes down to their barely recognizable components--spreading those components around like bike pieces on a garage floor and building them back together into a state that bears only occasional resemblances to its source material--it is not the easiest thing in the world to advertise for helpers.

But when the band found itself looking to employ a singer for the first ...

CD/LP/TRACK REVIEW

The Bad Plus: Prog

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Since its appearance on the music scene in 2003, The Bad Plus has been at the forefront of numerous debates within the world of jazz and beyond. Questions of genre placement and definition terminology seem to plague this esoteric band. Its newest disc Prog certainly won't answer these questions or solve these debates. In fact, it might just spur these arguments on. However, there is a solid truth to be found regardless: these three musicians--Reid Anderson (bass), Ethan Iverson (piano) and David King (drums)--make serious, ground-shaking music that is not to be overlooked. Prog is a rather ...

CD/LP/TRACK REVIEW

The Bad Plus: Prog

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Free from the confines of major label machinery, The Bad Plus returns to its independent roots fully rejuvenated with Prog, its fifth studio album and first on its own Do The Math imprint (distributed by Heads Up). Although a three-album tenure on Columbia Records brought The Bad Plus far greater recognition than its self-titled 2001 debut on the indie label Fresh Sound, it also seemed to gradually sap the trio of its vivaciousness.

What was once a mark of distinction has become ubiquitous, as numerous jazz artists now mine the same contemporary pop landscape for inspiration. More than ...



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